If the point of tonight’s rather ambitious Thousands show, at the impressive Village Underground complex (a converted Victorian factory in East London), was to “attempt to show the art world and the public that there are great works of art within the sphere of “street” and that these artists deserve a place in art history." well then yes, it more than succeeded. If the art world really does still need to be shown, then there it all is, up there on those big brick walls. Not sure how many of the creators are bothered about a place in “art history”, we all like an audience for our work though don’t we?  Set out with plenty of space to breath, with lighting that shows things off in a very positive, airy, slightly more formal way than your usual street art show, the Thousands is a triumph. Every piece in the extensive show is worthy of attention, no filler here - all seriously good pieces of street art doing all the talking that's needed. RJ, the curator, he of Vandalog, has pulled together a collection of top names and rarely seen pieces from private collections – names that include Barry McGee, Faile, Banksy, KAWS, Shepard Fairey, Swoon and many (many) more. More importantly than the pulling together of the ‘star’ names of the scene, RJ and his team have pulled together a serious statement and one of the finest collections of exciting refreshing fine art assembled in one place for quite some time. 

           There’s fresh street art all over the outside of the building as well (the place is always covered of course, ever evolving outside walls, something different every time we pass), a new Burning Candy piece is up on the outside wall right now. The Burning Candy crew will be familiar to anyone who’s glanced at a painted wall around London while on their way to a gig of something in the last ten years. You might think you don’t know them, you do though – their number includes Sweet Toof, Tek33, Cyclops, Mighty Mo and more, those giant apes and such, yes, you’ve seen them...  There’s an ice cream stall at the door (this is Mid November in London isn’t it?), the street fun and the ice cream stays outside and gives way to something far more formal and serious inside - we need serious tonight, hadn't realised that until we got here, but we do, we need high-art gallery formality, a show on 'their' terms... 
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            The Thousands, the coming together of the outcasts, the dreamers, building their art out of the discarded disused materials of the city. The Thousands is a short story by Oakland based Peruvian writer Daniel Alarcon - apparently that’s where the title comes from (we can google with the best of ‘em). 

          Look, to put on the definite street art retrospective is an impossible task, the beast is an ever evolving one. There’s plenty of things not here, but that’s not the point, this isn't a historical statement, this is a strong collection, a positive slice of now, this is what's going on this week... And what is street art anyway? When does a Shepherd Fairey portrait of Muhammad Ali cease to be street art and just become art? Surely he’s as important to the now in terms of iconic pop portraiture as Warhol was to the Sixties? When does a piece of Swoon’s detailed work cease to be street art and just become a beautiful piece of gallery art? There are some historical pieces in here, classic early Bansky copper (thankfully the place isn’t bursting with his work, just a cluster of small pieces, done just right – and no that isn’t a dig at Banksy, we got lots of time for the man and his work), there’s a Futura 2000 over there, now that's a serious piece of strret art history (the guy who painted on stage behind The Clash back in their early days). Most of the work is from this century though, most if it current, new, right now – there’s a great painting on a window blind by a relatively new name – apparently the pretty much unknown Roa has been paining on window blinds and then just leaving them in windows of old buildings - “his work maybe unknown and most people haven't heard of him but this piece deserves a place here as much as any piece does” said RJ – and indeed it does... 
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The show runs, at the Village Underground, 54 Holywell Lane, London EC2 until Sunday 22nd November, that’s right, you’ve only got another four days to catch it, it really is worth your time and effort. The exhibition also served as a launch for a rather good looking book that’s also called The Thousands (twenty five quid was a little beyond us last night but it did look good, twenty five quid is quite a few cans of Montana...)

RJ’s Vandalog is http://blog.vandalog.com
More about the book via www.dragolab.com
 

15th NOV '09: LOSLOHBROS @ GRAFFIK...  The last date of the Loslohbros English art tour (if we've got the facts right) hits the Graffik gallery in Ladbrook Grove on Thursday 19th November and runs until 22nd November... There’s an opening night party with live DJ, live painting from the artists involved and who knows what and where and who... More art, busy week... More details and such from Graffiklondon.co.uk or Loslohbros.com
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Here’s what DRAGO say about the book....

Michael “RJ” Rushmore is an eighteen year old young man living and working in London. He is the founder of Vandalog, a blog highly respected and widely known throughout the contemporary art world. While taking a gap year before heading to university, he has taken on the task of curating his first exhibition called “The Thousands.” To accompany the show RJ has written “The Thousands: Painting Outside, Breaking In.” The exhibition will feature original work by some of the top names in street art including Faile, Banksy, KAWS, Shepard Fairey, Swoon,  Herakut, and Barry McGee. Many of the works have come from private collections, but several pieces have been provided directly by the artists participating in the show. The faith that has been placed in RJ at his young age by artists and collectors is a tremendous testament to his natural inclination toward having an eye for art. Despite his modest and level-headed opinions about his qualifications, the International art publishing house known as Drago has also placed their faith in RJ’s endevour. “The Thousands” is an attempt to show the art world and the public that there are great works of art within the sphere of “street” and that these artists deserve a place in art history.

What else? dragolab.com is the only place where you can buy this book until November 2009. Check out the work of Armsrock, Banksy, Calma, Cept, Chris Stain, Dan Witz, Dscreet, Elbowtoe, Flip, Gaia, Gold Peg, Herakut, Judith Supine, Know Hope, Luc Price, Nick Walker, Nina, Pure Evil, Rowdy, Sickboy, Skewville, Sweet Toof, Swoon, Tek33, Titi freak, Veng, Vitché, and Zezão. Get it here, get it first. Visit the shop to order your copy of "The Thousands: Writing Outside, Breaking In."
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NEWS: HALLOWEEN AT MUTATE BRITAIN – The good people underneath the Westway at Mutate Britain have announced that they’ll be holding a special event this Saturday 31st October to celebrate Halloween. So far at the exhibition, each weekend has been highlighted by a spectacular parade. This Saturday, in honour of Halloween, there will be a special Halloween parade, in trademark Mutate style as once again some of the exhibits will be paraded through the crowds. Exhibits featuring include Lyall Rowell’s Lrry the Dog, Jo Peacock and Packa Horse. The parade is expected to begin around 7:45pm. The Westway will be decorated in full holiday season style and Mutate’s festival atmosphere will be at a peak. The exhibition will be open as normal from 12pm to 10pm, Saturday 31st October. Admission is £1 before 6pm and £3 after. There is a fully stocked bar and food available courtesy of Andi Oliver and Neneh Cherry. Mutate is under the Westway, Ladbrook Grove, West London, this is the final weekend of the show that’s packed with Mutoid Waste Company scrap-sculpture, street art, graffiti, stencil art, counter culture and... Well grab it all while you still can... 
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NEWS: The 100SQFT show is on, the hundred pieces/artists have now been gathered together and the organisers have announced the exhibition is booked and the private view and launch party will take place on 22nd November at 6pm. The Exhibition will then run from Monday till Friday of the following week over at the Boleyn's Boys Club, London N16, full details and. more soon...www.100sqft.co.uk

NEWS: For those who haven't made it yet, the highly recommended MuTATE BRITAIN show, under the Westway in Ladbrook Grove, West London, continues for one more weekend. Seems so many people are attending that they need to run things for an extra week  Catch it this Friday, Saturday and Sunday. Looks like they've got some live music down there this weekend as well, more on that later - catch the Organ review further down this page...
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NEWS: CRAZY FOOLS - The Bristol-based contemporary street art gallery Crazy Fools have a weekend exhibition on here in London at the Library Bar, Upper Street, Islington – a whole load of urban art, street art, whatever you want to call it art. The Crazy Fools gallery sells work by such graffiti luminaries as Paul Insect, Sick Boy, Blek Le Rat, Antony Micalef and more.... Show opens at 2pm this Saturday, runs until 10pm, and then again on Sunday. More details and lots of imagery over at - www.crazyfools.net

NEWS: MuTATE has now been extended by one week, the show now runs, on Fridays, Saturdays and Sundays until the first week of November, under the Westway in Ladbrook Grove, West London – www.mutatebritain.com
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21st OCT '09: NEWS: MORE AT MuTATE... The Mutate street art and Mutoid Waste Company scrap-sculpture show - giant beasts made out of old jet fighter planes, giant pieces of graffiti, the Organ review if the open is here on our art page – the massive show enters the last weekend under the Westway, over there in Portobello Road, West London this coming weekend. We’re told there’s a whole lot of new work gone up this week ready for the final weekend... More from us here on Friday morning when we’ve been to see what’s new. This really is something not to be missed, if you’re anywhere near then do go take it in while you still can... Real underground counter culture alive and well under the Westway 

20th OCT '09: NEWS: NANCY SPERO, 1926–2009 - Groundbreaking feminist artist Nancy Spero died in New York on Sunday, aged 83 so reports the New York Times. Nancy Spero was a politically charged painter, known for her engaging challenging work and it is a shame that we only write about these things when someone like Nancy Spero dies, really am sorry about that, something we should put right around here. Further exploration here
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The Mutoid Waste Company go way back with us Organs, we’ve been encountering them and their creations pretty much since Organ first started back there in the underground days of the 80’s. Strange vehicles parked outside places like Club Dog, Acid Daze, racing through the dust Mad Max style at the legendary Treeorgey free festival, Skreech Rock, that strange squat hospital that got surrounded by shield-banging riot police in the black of night that time (we all had to crawl through tunnels to get out...). These days the Waste Company pop up at what you might call more mainstream respectable events - official parts of things like Glastonbury Trash City, California’s Burning Man, major corporate festivals in Hyde Park, still as creative as ever though, and good on ‘em, stick them in the real Tate or the middle of Trafalgar Square, they deserve it all, they’re the good people doing well... 
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The old vibe is here, the place is buzziing with energy, alive with the feel of all that 70’s Westway graffiti/punk rock history, the feel of those old Club Dog/free festival/strange squat gig events that happened so much in the 80’s and early 90’s before rave and dance culture changed the shape of free festivals for ever. The heavy thumping dub coming out of the sound system, even the crowds of people look like they’ve fallen out of some kind of mutant page of a 2000AD comic, this is our kind of place, us Organs feel at home. No art-pose here, this isn’t Hoxton, this isn’t the Frieze Fair, there’s a genuine buzz of excitement in the night air alongside the big arc lights and the strange sculptures looming out of the dark above our heads. 
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Straight away you’re hit by the giant Mutoid Waste Company sculptures/vehicles – cannibalised Royal Navy helicopters, military scrap, bits of old fighter plane cockpits that are now bodies of strange looking metal dinosaurs. There’s giant (and we do mean giant) robots, strange mutant motorbikes - the Mutoid Waste Company creations are looking bigger and better than ever, more technical now, still the spirit of those strange psychedelic gun turret trucks parked outside the George Robey back there... The futuristic kinetic robotic creatures made out of bits of scrap that really do grab the most attention, giant fire breathing mechanical bull lurching at the crowds and.... wow! There’s stunning creativity wherever you cast an eye, this is wonderful. Giles Walker’s pole dancing robots are captivating, how did he get them to move like that?! Carrie Reichardt (AKA The Baroness), she of the Treatment Rooms, is by the gate as we go in - she believes the revolution will be ceramicised, there’s that tiled orange pick-up truck by her tile stall that you may have seen in the Funkcutter film. 
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There’s colour and energy coming out of the darkness wherever you look, the graffiti is far from tired, plenty of fresh creativity here, a little more than giant names and I’ve got all the books to copy from if you know what I mean, serious evolution – the old Banksy on the wall outside looks a little tired  (and no disrespect meant there, we’ve still got lots of time for Banksy, easy to shoot at the popular, take art the masses we say). Tonight’s opening was a triumph, need to go back today and take it all in again in the cold light of day. Serious street art, proper counter culture, genuine creative, amazing skill... Brilliant... Thank you MuTate crew, we had a great time 

MuTATE BRITAIN: ONE FOOT IN THE GROVE runs on Friday, Saturday and Sundays throughout October. 2pm – 10pm, under the Westway Flyover, junction of Portobello Road and Acklam Road, London W10. Nearest Tube, Ladbrook Grove, come out of the station, cross the road and walk along underneath the Westway – www.mutatebritain.com
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‘When I think of the punk years, I always think of one particular spot, just at the point where the elevated Westway diverges from Harrow Road and pursues the line of the Hammersmith and City tube tracks to Westbourne Park Station. From the end of 1976, one of the stanchions holding up the Westway was emblazoned with large graffiti which said simply, ‘The Clash’. When first sprayed the graffiti laid a psychic boundary marker for the group – This was their manor, this was how they saw London.’ Jon Savage ‘Punk London’ Evening Standard 1991

‘All across the town, all across the night, everybody’s driving with full head lights, black or white turn it on face the new religion, everybody’s sitting round watching television, London’s burning with boredom now, London’s burning dial 999, Up and down the Westway, in and out the lights, what a great traffic system, it’s so bright, I can’t think of a better way to spend the night than speeding around underneath the yellow lights.’ The Clash ‘London’s Burning’ 1976 
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ART:  Always wondered about that locked up tunnel, here's some words from The Londonist: 
              Beneath the streets of Holborn, London, something is growing in the Kingsway tram tunnel The usually padlocked doors at the tunnel's Southampton Row entrance, which last saw tram traffic when a young Queen Elizabeth II had been on the throne for just a few months, have been thrown open to welcome visitors for Chord, a month-long art installation by Conrad Shawcross.
          Led in by a flourescent bib-wearing guide, we descended the surprisingly steep ramp and into the tunnel itself, passing fake posters and non-existent Tube station roundels left from a recent film project. As we penetrated the murky gloom en route to.... more here

5th OCT '09: Egg men on stilts? Atomised aircraft engines turned to a pile of gallery floor dust? The process of really looking rather than just another YBA one liner? Stuckists stuck in the door, stuck stuck stuck... Did Another Turner prize get itself launched today?
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28th Sept '09:  NEWS: The next SHOWCASE at CAFE 1001, just opposite Rough Trade Records (Brick Lane, London), happens this coming Wednesday evening. The Showcase reputation is growing, Showcase is a rather buzzing art event that happens every second Wednesday. well worth checking out. Showcase is like a very inviting gallery opening night, the atmosphere is relaxed and rather energetic, a vibrant mix of alternative new artists. The reputation of Showcase has been building nicely over the last few months as the word spreads and more people get involved. We reviewed one of the first nights back in the Summer, things have built up and evolved since then and like we predicted in that early review, things are building  rather nicely. Showcase is a one night only affair, kicks off at 5.30, goes on until 11.30pm, a chance to view new emerging art, interact with the creators, share thoughts, network and indeed buy very reasonably priced pieces (how many times have we kicked ourselves over that early days Damien Hurst painting that was for sale in the Record And Tape Exchange for just fifty quid back there!). Anyway, next Showcase this Wednesday, well worth dropping in for half an hour on the way to a gig or after a gig or... Showcase webpage

23rd Sept '09: NEWS: FRANK AUERBACH - Twenty new works by Frank Auerbach, one of the finest of British painters,  go on display this September and October at Marlborough Fine Art, among them new portraits, landscapes and drawings. “Auerbach is one of the great names in British painting so this is an exciting opportunity to see his latest works up close and personal without having to pay a solitary penny”. . This is seriously exciting and a chance not to be missed say us. The exhibition runs until 24th October at. 6 Albemarle St, Mayfair, London, W1 -www.marlboroughfineart.com/exhibitions

NEWS:THE SELLABLE ART POP-UP MARKET IS TWO DAYS AWAY....  The Sellable Art Pop-up Market is a specialist art event, hosted by the Old Truman Brewery over in Brick Lane, East London. “The Sellable Art Pop-up is a unique opportunity to browse and buy artworks direct from the creators”. The next Art Pop-up event takes place from 25th - 27th September in the cavernous old Boiler House, 152 Brick Lane. Entry is free, paintings will be on sale, 30 or so painters, designers, creators and such so we’re promised, and that includes us Organ team with a stall and some artwork and paintings and... We're told there will be music, food, a relaxed space and well, we'll soon change that with some noise and splat  – www.trumanbrewery.com

Friday and Saturday 11.30pm – 6.30pm
Sunday 10.00pm – 5pm
Admission FREE

"The ethos of the Old Truman Brewery’s markets is consistent with that of the Brewery as a whole; to provide a platform for new design, art and fashion, without prejudice or pretension, in order to restore the direct link between creator and customer"
 

17th Sept '09:  NEWS: ALL DAY AFTERNOON is an art exhibition "set in a domestic environment. The objects and images interact with the familiar everyday environment of the home..." The exhibition will feature new works from GAIL OLDING and can be viewed at 8 Portsea Mews, from September 26th to October 3rd, tea and scones will be served in the kitchen, while the upstairs living quarters will feature a “variety of integrated unnerving and ambiguous objects and images”. More when we've tasted the scones... – www.gailolding.com

15th Sept '09: NEWS: PUNK NIGHT AT THE PORTOBELLO FILM FESTIVAL with an original 101er....  Looks like a rather fine event happening as part of the ongoing Portobello Film Festival tomorrow night. The festival is in the middle of seventeen day run of free screenings in and around the Notting Hill area of West London right now. Tomorrow (Wednesday 16th September) at Inn on The Green, Joe Strummer’s co founder of The 101ers, Alvaro, will be performing live. There's also a film portrait called Full Dedication Alvaro being screened.. Other films being show on the evening include Notting Hill 1958 Riot Tour which previews 50 years of the London Caribbean Carnival. More from  www.portobellofilmfestival.com

13th Sept '09:  NEWS: THE SELLABLE ART POP-UP MARKET....  The Sellable Art Pop-up Market is a specialist market event, hosted by the Old Truman Brewery over in East London. Brick Lane is the place. “The Sellable Art Pop-up is a unique opportunity to browse and buy artworks direct from the creators”. The next Pop-up event takes place from 25th - 27th September in the cavernous old Boiler House, 152 Brick Lane. Entry is free, paintings will be on sale, 30 or so painters, creators and such so we’re promised, and that includes us Organ team with a stall and some artwork and paintings and things  – www.trumanbrewery.com

          "The ethos of the Old Truman Brewery’s markets is consistent with that of the Brewery as a whole; to provide a platform for new design, art and fashion, without prejudice or pretension, in order to restore the direct link between creator and customer"
 

 BANKSY'S BLUR SINGLE ARTWORK DESTROYED - A mural by Banksy, which was used as the cover of Blur's 2003 single 'Crazy Beat', has been partially painted over by mistake. Workmen from Hackney Council began covering the artwork, on the side of a building in Stoke Newington in London, with black paint and had removed much of the work before the building's owner, Sofie Attrill, could convince them to stop.
         Attrill told the BBC: "The workmen were smiling as they did it - they thought it was funny. I just burst into tears. But a crowd gathered and we managed to get them to stop before destroying it completely. I don't care about art or politics - I am just an ordinary girl who liked being cheered up by seeing this on my street".
       She continued: "People have always been telling us to sell it or cover it in Perspex, but we only wanted it to be here for the public's enjoyment. You can't take a photo if it's behind a thick plastic screen. We never wanted to make money out of it like many do - but it was a part of our lives. Now it's gone. People are always doing down Hackney but this was something we could all be proud of".
           Hackney Council's Alan Laing initially said in a statement: "The council's position is not to make a judgement call on whether graffiti is art", although he later added: "Due to a problem at the land registry, unfortunately our letters stating our intention to clean this building didn't reach the owner. As soon as we realised this, work stopped. We are now speaking with her about how to resolve the issue". (CMU)
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5th Sept '09:   NEWS: DAMIEN HURST LOSES PLOT OVER PENCILS..... A seventeen-year-old graffiti artist who goes by the name of Cartrain has been arrested for stealing a box of pencils from Damien Hirst's ‘Pharmacy’ (1992) exhibited at Tate Britain as part of the recently closed Classified exhibition, according to the Independent, Cartrain took the pencils in July in response to a feud with Hirst, originally started when Cartrain used images of Hirst's diamond-encrusted skull, ‘For the Love of God’ (2007) in collages that he put up for sale on his website. Hirst reported him to the Design and Artists Copyright Society and a string of legal letters were sent to Cartrain's art dealer, Tom Cuthbert, at 100artworks.com, about the teenager's pieces, also called For the Love of God. The online gallery surrendered them to Hirst with a verbal apology.
             He then created a "wanted" style poster that read: "For the safe return of Damien Hirst's pencils I would like my artworks back that DACS and Hirst took off me in November. It's not a large demand... Hirst has until the end of this month to resolve this or on 31 July the pencils will be sharpened. He has been warned." Cartrain told The Independent: "I went to the Tate Britain and by chance had a golden opportunity to borrow a packet of pencils from the Pharmacy exhibit. That same day I made up a fake police appeal poster advertising that the pencils had been removed from the Tate and that if anyone had any information they should contact the police on the phone number advertised." "A few weeks later I went out and I returned home to find out the art and antiques squad from New Scotland Yard had called round with a warrant for my arrest." He was told by custody officers that the pencils were valued at £500,000 and that he had damaged "the concept of a public artwork titled Pharmacy ... valued at £10,000,000". Cartrain is on bail and, if convicted, his actions will feature among the highest value modern art thefts in Britain. The box of pencils – a very rare "Faber Castell dated 1990 Mongol 482 Series" – will be put back by Hirst, although the installation is no longer on public display. - www.artreview.com
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2nd Sept '09:  NEWS: OBLONG celebrates one year.... The Oblong Gallery celebrates one year of showing new art and doing the things they do at small galleries with a new show that runs from 4th Sept through to 20th Sept. See the Organ art page for previous Oblong features, neat little gallery that’s almost a garage on the side of a house in front of a stone sculpture workshop in Islington.  Oblong Gallery, 69a Southgate Road. London N1 - www.oblonggallery.com - Oblong is part of the First Thursdays collaboration – www.firstthursdays.co.uk
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      ABOUT THE ARTIST - "D*Face is a London-based sculptor and street artist. His artwork has been exhibited in galleries and on the streets of cities around the world. For over ten years, his wall stencils and three dimensional urban interventions have tested public awareness and resistance when faced with visual alternatives to corruptive, persuasive commercial advertising. Reoccurring themes include: celebrity, fame, and mortality. The artist uses the term aPOPcalyptic to describe his work, which often features images of cultural icons as a commentary on conspicuous consumption in popular culture. D*Face’s early artistic inspirations include pop artists such as Lichtenstein, Haring and Warhol. Additional influences include: punk music, graffiti, skateboarding and skate magazines featuring graphic artists like Jim Philips and Pushead.”  Find out more about D*Face at www.dface.co.uk, the gallery is at www.jonathanlevinegallery.com
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           What this is, is a semi-corporate launch for a film that’s kind of missed the point of the film, an artistically polite show in a far too polite gallery with polite food and free drink and yes, some rather decent small pieces of pop art flavoured graphic design, some decent bits of illustration, photography and some rather good pieces of individual artistic expression. Some of it kind of feels like the work of half way through term design students rather than the street artists, punk-driven creators, skate-culture painters and such that you’ll find in the film... Some of it is genuinely rather good. 

There is some good work here, well worth a visit, just don’t be expecting the energy or danger that Beautiful Losers should inspire, don’t be expecting real DIY culture. The fact that some of the artists have been found via a last minute competition, (insisted on by the film company so the Watch This Space curators say) and run on bloody My Space – the ultimate in none-DIY corporate marketing crapola – kind of tells you some of where we’re at here... The fact that the most interesting artist tonight, and the nearest thing to some kind of idea of street culture, Keiron Lee (AKA  XXXXXX) and his play on Frank Shepard Fairey’s Andre The Giant Has A Posse, has come through that My Space route suggests that no one really went out and connected with any of the real UK street artists or went out to find the real DIY art culture that is out there... 
           Street art? DIY attitudes? Alternatives? It really should be alive with energy and excitement in here tonight – it is in the film - the joy of the creativity, alternative communication, the attitudes, the sense of just getting out there and doing it - joining in, togetherness, defiance, rule-ignoring unity... Oh I really don’t like sounding like I’m down on this show, there is some good art – Robin Clare’s mix of 50’s futurist white goods and pop-art graphics, Harry Malt and his cartoonish Just Don’t Try To Talk To Jim Morrison piece (good to see GG Allin and John Cooper Clark there – a bit of punk rock after all then), the giant mirror bear sculpture of Arran Gregory brings a smile, Best One...  A collection of painters, illustrators, photographers and such, all worthy of the time and space, but this really isn’t the street culture or DIY or anything like the energy to be found in the film, this isn’t what we hoped to find, not what we expected...  Go enjoy the show for what it is, twenty relatively new British artists, photographers, illustrators and such showing some healthy new work in a closed down shop in the middle of town......

DIY LONDON SCENE runs until September 5th at 11, The Market Building, Covent Garden, WC2
www.losermovie.co.uk
www.watch-this-space.org

20th AUG '09: NEWS: THE DECKED PROJECT is coming... Decked is "a collection of fine and dandy illustrators, designers, tattoo artists and street artists", all showcasing custom designed skate decks. Each deck is hand inked/printed/painted/carved and will be on display from 25th – 29th August at StolenSpace Gallery, The Old Truman Brewery 91, Brick Lane. E1. Head to www.thedeckedproject.blogspot.com for more information and the all important visuals!
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