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| ORGAN
#284> NOV 27th '08 - new issue here every Thursday afternoon |
| “"Scroll
down, read this week's issue, couldn't be easier could it? |
Sideways?
Up and down? A ractured fractured Thursday afternoon became the early hours
of a cold London Friday morning, night became day, Datura was rescued from
outdoor frost (vespertine flowering plant belonging to the family solanaceae...)
But it is still Thursday where You are and Tuesday's instructions fell
in to Wednesday. Floors were cleaned, cases packed, Friday's clothes were
put on as ordered and all to do with no sleep before or after Hammersmith
and Airbourne being in town earlier tonight and Pure Reason Revolution
last night and something else the night before and the need to paint and
The Devil in Fitzrovia tomorrow 9or is that today now?) and the price of
coal and the need for order in these messy times and what ya gonna do?
Clean those heels, do as you're told, this is Organ and we write rock ‘n
roll and only way to feel the noise and screaming a thousand miles over
the black tantalising sea and feel it in your guts
and don’t sweat it, devil's hand, the iron fist, get it back to us... and
nothing is ever late and we can all skip the intro bit and overkill and
don't sweat it and I hope you are sitting down for this part... are you
sitting down? I am not typing the next sentence till I am sure you are
sitting, as I don't want you injured from falling, you must not make a
mess now. Never ever messy and this is this week’s Organ and who needs
editorials or anthing to make any sense? I'm sure it does make sense to
You and it is all about the music and the rope that binds us all to that
next CD, that next gig - make poetry, lashing of it, take control, you
really didn't expect us to make Thursday this week did you?
Friday November 28, 2008
is the 17th annual Buy Nothing Day!
These are, once again, the
things that have been in our ears this week. Please do explore and if it
sounds interesting then just hit the link and make your own minds up, make
contact and switch the other, don't let this thing blow over, we've done
we've undercover - our reviews and thoughts are mere signposts designed
to guide you to the things you might like to feast on yourselves... don’t
you just love the instant way this web thing works when things fall right
and the doors flip open and the touch of a key....
You read this while we go
type out this Danko Jones interview and make sense of this Murcof album
and....
|
IS THIS WHY YOU BOOKMARKED ME? |
ORGANS
vs ORGAN READERS....
Yes,
that’s right, us versus you time. We’re almost ready for those end of year
lists and arguments and top this and best of that and such....
Now
you know we like to publish a top fifty albums of the year at the end of
every year. Last year the top three albums, in the opinion of the Organ
team, were from EFTERKLANG, followed closely by UPSILON ACRUX and TOMAHAWK.
You seamed pretty much in agreement with the choice last year. Although
some of you said things like “no!” and felt sure the best album of the
year came from William D Drake or Of Montreal or Animal Collective or Battles
or Future Of The Left or Sleepytime Gorilla Museum or 65Days... actually,
now, I might agree about Sleepytime, we only had it as fifth best last
year.
So
anyway, pass the cake, and more jam this time please, 2008 has been another
great year, loads of great albums, some possible classics. We’ve had a
great album of the week every single week, all the way through the year,
here at Organ. Flick through some back issues and remind yourselves, it
is almost too much... We’re not going to list them all right here and now
and we’re certainly not going to pick a random number of albums for you
to pick from - no pre-selected hands tied behind your back shortlist and
us dictating what you can vote for a shortlist list we give you! The Organ
People’s vote is open to every single album that has come out in the year,
every single one that has come out already (or indeed still coming out
in what is left of) 2008. Go ahead, make a list, check it twice, then fire
your top ten albums of the year right on at us and we’ll compile a definite
Organ readers end of year poll to go along side the Organ team’s own top
fifty.
Wonder
if your list will agree with ours? Bet it won’t. We’ll keep it open until
the last minute of December 31st, get your list in and have a look sometime
around new year’s day.
Oh
yes, and we’ll put the names of everyone who sends something in to a hat
and draw out one of you, one lucky person will win copies of the top five
albums from our list... send your top ten albums in here
along with anything else you see fit...X |
John on the phone... |
| ORGAN
ON YOUR RADIO - WEEKLY on SUNDAYS AT 9.00pm via RESONANCE
104.4FM in London and worldwide via www.resonancefm.com
THE DETAILS, THE FACTS, THE LINKS.... Back this wee kafter a wee koff making
way for OTOMO YOSHIHIDE and the Resonance Radio Orchestra. There's always
something food happening at Reosnance FM, the art of sound, the art of
listening. More details of the weekly alternating Organ hour and Organ
Other Rockshow herex |
|
NEW ALBUMS WE’RE LISTENING TO THIS WEEK |
This
week the best new album things we’ve been listening to and chewing on were...
ALBUM
OF THE WEEK
SLEEPS IN OYSTERS - We Keep
The Memories Locked Away (Seed) – Radiant glitch and delicate electronica,
a refined treasure chest of sunshine and birds in trees and glowing arcs
of light and most of all glorious songs. Beautiful musical rainbows and
all in such inviting artwork and packaging – hand-stitched buttoned-closed
covers, tied up in string and brown paper, sealed with old fashioned wax
- almost don’t want to open it. Insects and coloured lights, found sound,
delicate songs, the buzz of bees, songs of crickets, words that keep catching
ears, patching you up. Musical things they say they did on purpose, musical
things they say just happened. The sound of clocks and the buzz of bees
and things that really don’t ask a lot of you, things they don’t need to
swear they’ll make up for later. The buzz of bees and printed dresses you’ll
love to wear and the tiny lives of flies and sparks and the tidy ends of
days, small and bright and in your head and never was the garden so glorious...
There’s two of them, Lisa Busby is the beautifully whispered voice, John
Harries makes the music with her, not clear who does what beside the voices.
Their releases are beautiful hand-made creations, limited editions, created
with so much love. Folktronica? Can we say that? Delicate crafted treats,
some of the uplifting delights of the wonderful Efterklang, some of the
fragile delicate vulnerable feel of Colt or the crafted refinement of Aphex
Twin relaxing and content in the sun and the dust in the rays and the treasures
of a dusty loft not explored for years – boxes to open, mysteries, old
wind-up toys, exquisite musical boxes, pieces of coloured string, all kinds
of mellow goodness. Animal Collective, Psapp, Devendra Banhart and maybe
just a touch of that Sea Nymphs innocence in there with all the uplifting
beauty... Actually the two of them share vocals as well, and never was
the blackbird in the garden treated so well. So much musical treasure,
songs and experiments and so much delicate colour to be found here, a beautiful
treat of an album, a wonderful album - www.myspace.com/sleepsinoysters
or www.seedrecords.co.uk
xxx
ALSO
CHECK OUT
CRAZY MAN MICHAEL – The Green
Light (Little Red Rabbit) – He’s clearly not crazy, he’s very at ease with
himself if this new album is telling us how things really are in Michael’s
world. Who is he anyway, this self confessed crazy man? Well seems he’s
named after the Fairport Convention song, “Crazy Man Michael takes such
classic English narrative songwriting as a touchstone and adds a literate,
romantic edge that encompasses folk traditions from Bert Jansch to Iron
& Wine...” and we couldn’t have explained it any better ourselves.
Using almost entirely acoustic instrumentation, The Green Light
loosely takes F.Scott Fitzgerald’s The Great Gatsby as its emotional
inspiration so we’re told. Emotional, sensitive, warm, weather-beaten,
yet always hopeful. Delicate, strong, refined passionate simple clever
English folk. Once again a Nick Drake feel, a beautiful Nick Drake feel
in there with the lush strings, mandolin lines and the ambitious arrangements
(and Nick Drake is a special name, not to be thrown around lightly). The
details, little unobtrusive details, details that really bring these fine
songs to life – the cleverly applied colours, the stitch work, the subtle
strokes of string or key that bring the voice and words to life in such
a fine way. Cautious hope in uncertain English times, ideals alive in the
madness of a modern landscape – see, no crazy man here, focused and alive
with glowing hope, an optimistic heart and songs that really do welcome
you in with open arms. Glowing songs, beautiful songs, delicate heartwarming
Northern English folk songs, wise songs, emotional songs, this is a very
special album – “It eluded us then, but that’s no matter – tomorrow we
will run faster. Stretch out our arms farther... And one fine morning –
so we beat on, boats against the current, borne back ceaselessly in to
the past” – F. Scott Fitzgerald (The Great Gatsby) - www.crazymanmichael.co.uk
or www.myspace.com/crazymanmichael
or www.littleredrabbit.co.uk
xxxx |
NEBULA
– Peel Sessions (Sweet Nothing) - Sideways? Up and down? It is, so we’re
told, all the same when you’re lying on the ground... A collection of Nebula
tracks recorded for John Peel sessions. A whole bag load of their righteous
psychedelic stone rock riffage and everything caught alive and just right.
These almost instant session versions are almost always better than the
‘proper’ album versions, might just be the case here as well. Featuring
the line up that recorded the first two ‘classic’ Nebula albums, what you
get is eleven slices of frontline stoner rock and psychedelic riff churning
for your money... Charged and right in there heading for the centre...
www.nebulamusic.com
– get the CD or slab of wholesome coloured vinyl here in the UK via www.cargorecords.co.uk
MIRROR MIRROR – The Society
For The Advancement Of inflammatory Consciouisne (Cochon) – A band from
Brooklyn, New York, with a refined relaxed kind of “cosmic erotic
ecstasy” of a sound - well that’s how they described their rather
lush cerebral thing anyway. Sparkling, choral, slightly progressive in
a silky, almost folky early Mercury Rev, touch psychedelic Beatles kind
of way. Maybe Mew meets a more in control and maybe softer Syd Barrett
with modern synths and such – maybe? Maybe hints of orchestral things and
maybe Wendy Carlos and mystical bits of goth and prog and lullabies and
Diamanda Galas and maybe a lot of things... maybe. .. Rather good, whatever
it is. www.myspace.com/mirrormirrornyc
THE ETTES – Look At Life
Again Soon (Take Root) - From NYC via LA (and London’s legendary Toe Rag
studios) with some low slung girl-fronted nailed down bluesy garage punk.
They talk of Beat Punk and point at the White Stripes, the Rolling Stones
and Amy Winehouse as inspirations – that kind of makes sense. The sound
is raw and sparse, basic in a positive simple stripped back kind of way,
60’s garage four-track sounds – www.theettes.com
or find it in the UK via www.cargorecords.co.uk
PHOBIA – 22 Random Acts Of
Violence (Candlelight) – Ah yes, some decent grindcore metal that does
exactly what it says on the tin. Twenty two slices of yapping slicing acts
of colourfully violent grindcore metal, everyone of them a raging speedhorn
of a track. They’re from Orange County California (and have been for getting
on for nearly twenty years now). At last, some decent extreme metal worth
bothering with, nihilistic yapping and thrashing and more of their savage
uncompromising hardcore grindcore attitude – www.phobiagrind.com
xxxx |
THE
DAMNED – So Who’s Paranoid? (The English Channel) - First album since 2001’s
Grave
Disorder, heartbeat of Vanian and Sensible still there... Let’s fire
it up (we’ve been crying out for much too long...). Rather positive opening
track that sounds a little like The Stranglers (rather than The Damned)
doing The Kinks in a psychedelic jingle-pop kind of way... Second track
Under
The Wheels sounds and feels more like that slightly epic slightly gothic
Damned of the late 70’s/arly 80’s and all that waiting for the blackout
and Eloise and such... Dr Wofenstein sounds like classic English
pop (and dare we say a little Cardiacs when they hit that uplifting chorus
bit). Wasn’t sure what to expect from The Damned this time around, walked
out of the last gig five or six years ago (loved them back in the Smash
It Up day). Sounding good so far.... And on it goes, various shades
of Damned popness and Englishness and psychedelicness and garage rockness
and 60’s sounding bluesness and... Maid For Pleasure has a certain
stylish jagged satire around the edges, a little bit of a whiplash to it,
Perfect
Sunday rushes by with a roast and an afternoon of Two Way Family Favourites,
fetish games followed by Sunday lunch, how very English... They’re
sounding more English than they ever did actually (Country Life butter
on their hot muffins no doubt).
The Damned still making decent records then - their time’s not past, they’ve
still got class (unlike whoever it was they were just singing about having
no class and their time being passed). All finishes up with a fourteen
minute psychedelic space-prog instrumental which you’d love to get in to
a time machine with and fly back to 1977 just to see what they’d say about
it when you played it to them – “That’s us in 2008? Get out of here now!”
More than decent Damned album then, shame about the cover art though –
www.officialdamned.com
x |
THE
THINGS – Some Kind Of Kick (Nicotine) - Scudding 60’s flavoured organ driven
garage rock. Fast, direct, riff driven, taste of rockabilly around the
edges. Rocket From the Crypt and getting their highs in the shape of pill
, cranked up rock 'n roll, overheating keyboards, scuzzy psychotic swampy
rock from Dublin. Bit of The Damned in there, bit of batcave action, bit
of this, bit of that, bit of 60’s and maybe just a hint of Modness in there
with the bits of Cramps and Gun Club and Misfits... - www.myspace.com/thethings
or www.nicotinerecords.com
THE RED SHORE – Unconsecrated
(Siege Of Amida) – Frothing metal, extreme stuff, death, black, technical
- call it what you will... Cutting, slicing, chopping all over the place.
They’re from Australia, they’re cookie monstering away in the usual fashion.
Technically very good I guess, and if you want extreme growling technical
metal then I guess they’re worth your time and maybe a click of a link.
Fast, relentless, caustic, I’m no fan of these technical metal bands, nothing
worse than widdle-diddle look how clever I am guitar playing. Not really
hearing any real adventure or personality here either. They do do their
chose extreme metal thing well enough I guess, little too much conforming
to the blueprint for these ears though and we’re getting a little tired
of asking why so many of these extreme metal bands are happy to just obey
the rules of sound like all the others - there’s the links, off you
go if it sounds interesting to you, live and let live, we told you about
it, we could have ignored it, we didn't, make your own minds up if you
feel you need to... oh yes, it comes with a second DVD disc as well – www.myspace.com/theredshore
or www.siegeofamida.net
xxxx |
TWISTED
SISTER – Live At The Astoria (DVE) – A live album (and DVD) recorded in
London backin 2004, the born again back for more shock rockers trying to
recapture their 80’s glories. Thankfully this is Teisted Sister going way
back to the early trashy New York men in make up glamy punkish Under The
Blade trash rock days rather than the rather embarrassing glossy MTV pop
rock Muppet metal period. You’ve got most of your early favourites on here
and you’ve got Dee Snider at his live pantomime best. Nothing that touches
on those (hilarious) live b-sides from those 80’s twelve inchers that were
recorded at the Marquee back there, or some of those very early bootlegs
that some of us still treasure. Twisted Sister were always at their best
when battling other people’s audiences and calling on the SMF to back them
up at places like Donnington and such. This is a decent enough set of raw
live Sisterness, twisted enough to keep the old fans happy (and probably
good enough to explain to a few who don’t know what it was all about for
a while back there). The DVD disc that comes with the audio album isn’t
really up to that much, a badly shot, badly lit show and a few angles that
really don’t do the starting to go to seed slightly overweight middle age
men in glam rock make up any favours. Dee Snider still gets away with it,
rest of his band aren’t looking too camera friendly these days - best stick
to the decent enough audio disc that fits in there nicely while you wait
for someone to put those Marquee tapes together on one disc (unless someone
did already and I missed it, not being paying that much attention really)
– www.twistedsister.com
xxx
ALBUM
REVIEW ARCHIVES |
LIVE |
MOTORHEAD
– Hammy O – 22nd Nov – Yes it is the Hammy O, no other name will do for
the place, especially when Motorhead are back in town and on West London
home turf. Another year, another tour, another round of no sleeping ‘till
Hammersmith then. Was it just another Motorhead show? Can it ever be just
another Motorhead show? Hey, Motorhead mean more than most bands, they’re
the band I’ve seen more than any other, and no, they don’t ever do just
another show. This isn’t blind fandom though, no no... You never quite
know if Motorhead are going to really touch the heights, nothing is taken
for granted. Actually they do do shows that maybe do feel a little like
just another show, times that leave you feeling a little like, ah well
I guess I’ve seen everything they have to offer already, I mean thirty
three years of it, surely they do switch on to automatic pilot now and
again and just cruse through a night? They must have gigs that don’t quite
fall in to place for them? Certainly has felt like that now and again from
the audience, but then there’s been more brilliant Motorhead nights that
average Motorhead nights and they are a band who really do still matter
more than most...
There’s an electric atmosphere as we wait, the place is charged, old faces
you only ever see once a year when Motorhead come to town are standing
next to people excitedly experiencing the Motorbuzz for the first time,
a group of people next to me have traveled in from New Zealand, they’ve
waited years to catch Motorhead at their Hammersmith home. This is the
place of Motorlegend, this is standing on the Stretford End, this is the
sunrise at the Stonehenge Free Festival with Hawkwind, this is promming
at the Royal Albert Hall, this is Motorhead and they play rock ‘n roll....
Both Danko Jones and Saxon have been on and done their thing and now we’re
ready for the main course... “Hello boys and girls, we are Motorhead
and we play rock n’ roll” rumbles the man in black from centre stage, and
without any kind of fuss, no real fanfare, we’re off and galloping with
Iron Fist. Stripped back stage show this time around, no Bomber lighting
rig - simple lights, video screens firing out gig footage, album covers
that correspond with whatever the three of ‘em are playing and such. This
stage belongs to Lemmy, he is Motorhead, Phil Campbell does still feel
like the new guy standing at the side of Lemmy’s stage, he’s been in the
band for over twenty years now! We’re off galloping with Iron Fist
and Stay Clean, and there’s no other choice that to head right in
to the storm of flying hair and (friendly) fists that is the pit, breakout
breakout, you must dance, divide and fall... There’s a good mix of
material tonight, few unexpected things to keep it fresh, not too much
off the latest decent enough album Motorizer, unfortunately they
see fit to deliver one of the weaker tracks in the shape of Rock Out
early
on in the set - still can’t forgive that line in that song, come on Lemmy,
you’re better than lines like rock out with your cock out! They
follow it with the twin swipes of old favourites Metropolis and
wasted as just a b-side live favourite that is Over The Top. Couple
of slices from Another Perfect Day is the shape of I Got Mine
and the title track off that fine album, Phil Campbell keeping it simple
and doing Brian Robertson’s parts just right – nothing flash, knows he
doesn’t need to.... They’re hitting the spot tonight, this is good one...
The
Thousand Names Of God, one of the highlights off the new album with
all that bad man’s luck and bad man dreams and doomsday birds flying everywhere,
is followed by that damn awful version of God Save The Queen they
keep insisting on, even that doesn’t seem too bad tonight though... This
is Motorhead on ten, this really is a good one, this is hitting the spot,
bringing pennies from heaven and raining their bombs all over everywhere
– mostly raining beer in the pit, beer, elbows, flying hair and bruises.
There’s suddenly a troop of fire breathing girls up on stage heating things
up even more, things are hot enough already! Drum solo still there, In
The Name Of Tragedy, what the hell, Lemmy is sixty two years old now,
he needs the solo break, give him one, Mickey Dee keeps it short enough
and he is one of the better rock drummers out there. Likewise Phil Campbell,
he knows he doesn’t need to show off, damn good guitarist with just the
right amount of blues in there with the attitude, he doesn’t need to solo
away and such, he keeps his moments to just the right length, less is more,
turn it up... They turn in a tasty Killed By Death, Wurzel
suddenly on stage living it once more (and looking far older than Mr Kilminster),
Bomber
finishes
things off in style, no night fighter stopping anyone getting through here,
not a hope in hell and in a flash we’re off in to encore time, the whole
place five miles off the ground. Back on stage for the now traditional
Whorehouse
Blues and the three of them sitting around and getting all acoustic
on us before things take off again with
Ace Of Spades and the only
possible way they can finish things - Overkill... there’s always a classic
that they don’t do, there will always be someone moaning on the way out
that they didn’t do this or that, they’ve got so many classics now, there’s
at least one whole other set you could write that would be equally as strong
as tonight’s, Overkill is the only thing we’d really miss though,
Overkill
is
storming tonight, the three of them at full power, screaming with crowd,
taking the Hammy O once more, feel it in your guts, don’t sweat it, get
it back to us...
“Don’t Forget us , We are Motorhead” growls a departing Lemmy as the lights
come up and a slice of Zappa eases on to the PA, how could anyone ever
forgot a Motorhead gig when they’re hitting the spot like they did tonight?
No, Motorhead never do just another gig, this was an extra good one tonight...
xxx |
THE
JESSIE ROSE TRIP – Barfly, London, Oct 2008 – Well something a little different
going on here and the festering cattle market that is the Camden Barfly
on nights like this isn’t blunting Jessie Rose’s different touch too much.
Tonight is a best of the “new” bands that have been “discovered” at the
Manchester In The City music industry backslapping wankothon, the “new”
brought to London and paraded for the “wise”. The place is wall to wall
in “important” people, all looking for faces more important than you to
talk to as they look over your shoulder to see who just came in. We Organs
are here for the industry’s latest “hot new discovery”, some band called
To The Bones. Hot new band indeed, some ever on the case A&R Man in
the bar asks us if we’ve heard To The Bones yet? Apparently he thinks we
might just like them – no flies on these A&R men, don’t miss a trick
do they? So The Jessie Rose Trip are down in London, they’re from Manchester
as well, first on of four with their sweet sweet musical goodness – a whole
bag of subtle edgy slightly angular funk and indie-reggae tunes jousting
with guitars and trumpety keyboard bits and hints of Nina Simone, Lily
Allen or maybe even Amy Winehouse – that should be taken as a compliment
and a testament to Jessie Rose and her rather impressive voice rather than
us being lazy. Idiosyncratic goodness, jazzy alt.soul, and good pop songs
that are simply different – the ukulele does help give it that different
feel, that and the rather jarring percussive feel (along with the ‘interesting’
dress sense). Anyway, powerful singer, good band, different, good sense
of now, Northern soul, they were good in the difficult atmosphere of a
first on in front of a folded arms and the here-to-judge-the-fuck-out-of-you
London audience (© MayKay Fight Like Ape) and worth a mention while
we’re passing and waiting for “hot new band” To The Bones to take to the
stage, rip shit up and do that swallowing hair and throwing guitars around
thing that we’re told we might just like – wonder if that A&R man wants
a copy of that first Bones single? - www.myspace.com/thejessierosetrip
xxx |
PURE
REASON REVOLUTION - Cargo, London, 26th November
Support tonight was from
The Domino State, in a live framework they make undeniably stadium and
radio-friendly, U2-ish big-hearted rock; pretty straightforward polite
stuff, they're honest about it and their bit of stage presence and personality
should help them connect with that Coldplay audience they'll be playing
in front of in a few weeks time, they seem to leave a positive impression
with most of the responsive Pure Reason audience, tonight... .
Pure Reason Revolution are such a strange band. Writing this down
just looks weird: right now, they're a mating of angelic prog rock harmony
in the style of Yes, and old school Man Parrish hip hop style stripped
down Justice electro funk. This actually works. The hip hop
side has an authentic, irresistible groove, and the proggy side soars and
uplifts and spins off into ecstatic twists and flourishes. Pure Reason
Revolution always seem to be able to pull off decent sound live, and tonight
is no exception; they start with a new one, sounding sparse and electro
– we’ve hardly got going when it becomes obvious that there’s something
wrong and there should be a lot more guitar, so the band reluctantly come
to a halt. Their guitar amp has blown, terminally. Frantic phoning ensues
backstage; soon Chloe, Pure Reason vocalist/bassist, tells us that Domino
State's guitarist had already rushed off home to see his new-born son,
and was right now turned around and racing back to deliver a rescue amp.
Note to all bands, everywhere: think up something to do in these circumstances!
A brilliant acoustic version of something, to be bootlegged and treasured,
it wil lhappen to you one day, prepare yourselves... IQ had their
Wiggle Song, Cardiacs had an endless variety of routines and rehearsed
(and unrehearsed) madness, and just the other day To The Bones had an impressive
existential riff-driven rant during an unscheduled guitar change.... Still,
an appreciative crowd were rewarded after a ten minute break by a revived
and relieved Pure Reason Revolution - guitarist Jamie obviously frustrated
with unfamiliar equipment, but their big, ambitious sound is fine now.
There's the promised mix of new work with what are now old favourites from
the previous album, and the new material is rather compelling - lots
of dance groove in there, constructed by someone who really knows their
stuff, mixed with that imagination and adventure that comes from those
progressive influences. Yes, PRR do have a few weak spots - there are passages
that are just too repetitive - but when those close West Coast harmonies
kick in they're like nothing else.
One thing really missing from tonight (besides the violin) was their animated
backdrop; although they look good, the band really are too involved in
creating some pretty complex music to do much of the rock showboating thing,
and their collection of visuals were particularly good, clicking in with
the music. Tonight they have a more basic animated logo endlessly cycling,
which is a little bit of a pity. More annoying was a peculiar camera
person filming something for a forthcoming DVD who seemed to be unable
to use a zoom function, or indeed understand the basics of shooting a live
band, spending a lot of his time with his camera actually touching the
faces of his subject, minorthings though and despite the hiccups, not a
bad gig, with a happy and appreciative crowd in a surprisingly friendly
venue.
We all wanted that new album in our hands, of course, but it's not three-chord
punk rock, is it? The man's a perfectionist and we must trust him and his
band, we’re told the creative work is done now and the wait is almost over,
tonight promises the wait will be worth it. When Pure Reason Revolution
get in to their own unique groove then they’re a special band, a brave
band who constantly want to challenge themselves and their loyal and ever
growing word of mouth audience. Tonight was not the perfect gig, there’s
a feeling that they maybe got away with some of it, there was enough to
send us all away more than happy though, and 2009 promises lots, now about
that album...
Footnote: PRR
have put a little preview of the new album up on their My Space page and
a tour is booked for March, dates to be announced soon – www.myspace.com/purereasonrevolution
|
| Live
previously - F*CKED UP / ROLO
TOMASSI / TO THE BONES
/ SHEARWATER / 12
DIRTY BULLETS / TO
THE BONES / THE
BOBBY McGEES / ROSE KEMP
/ ANARCHISTWOOD / RUDE
MECHANICALS / GIRLSCHOOL/
BONKERSFEST
‘08 - NOUGHT /
GERTRUDE
/ BLUEZZ INTOXICATED / FIGHT
LIKE APES / ZAG
AND THE COLOURED BEADS /
DRIVE-BY
TRUCKERS / VILE
IMBECILES / QUEEN ADREENA / PURE
REASON REVOLUTION / HARVEY MILK / OXBOW
LIVE
REVIEW ARCHIVES |
THINGS TO GET SHOUTING ABOUT? |
We
never ever shout do we?
"It
has just been confirmed that TROST will be supporting
Boss Hog
at The Luminaire in London on December 8th" said a man in an e.mail (although
he didn't shout either). The review of her latest album Trust Me
(on Bronzerat) can be found
here. Annika
Line Trost is half of acclaimed electro-pop duo Cobra Killer... "Trust
Me is a seductively mesmerising left-field set of bewitchments. There’s
fluid otherness going down, bending fluidity and some kind of other jazzness
that’s in the wrong night club in the wrong shoes and the wrong lipstick.
She really does pull you in to her mysterious world and...." – www.myspace.com/trostcity
or www.bronzerat.co.ukx
Manchester’s
KONG
have
a new single out on the 15th December as limited CD and download on Brew
Records. Listen and order via www.myspace.com/brewrecords.
The CD version will also include two versions of "Count Too Nine" featuring
guest vocals from Matt Caughthran (The Bronx) and Andrew Falkous (Future
of The Left). “Kong will be touring the UK throughout December but to celebrate
this release and Brew's 1st birthday and the fact it's Christmas we'll
be having a release party at the Brudenell Social Club in Leeds (on December
12th) with support from That Fucking Tank, Humanfly & the mighty Chickenhawk.
All this and possibly some cake for £5.” Said someone from Brew.
All dates are over at www.myspace.com/kongdom |
SINGLES |
SINGLE
OF THE WEEK
THE
BRUTE CHORUS – She Was Always Cool / Artmissia (white label) – All
bound at the wrist from the first day we saw them, not telling you how
we met them though, you’ll have to wonder for weeks and wonder without
your sail lost inside the sea inside a killer whale and wearing sunglasses
inside and secrets that have to be kept.... And what the lord giveth, the
lord taketh away and this review is almost done already and just let us
say, before we go, yet another fine single from The Brute Chorus. And the
b-side is even better, that’s the thing about The Brute Chorus - they’ve
just got great songs. Songs so good that they can almost get away with
murderous shots at sparrows to prove their love, shots with shiny bullets
and names on them, almost as good as that song you heard from the brown
speckled sparrow. They’re part of that Camden Hawley Arms scene and Amy
and Pete and all that, but don’t let any of that put you off, these people
know how to craft songs. Slightly scratchy songs with handclaps and skiffle
and scratched London alt.folk pop and all with an edge and words you’ll
want to catch on to – all that and a personality that deserves at least
a little slice of the fuss the others get... fine band, fine songs, another
fine single – www.myspace.com/thebrutechorus
Last
week's single of the week - TIM AND SAM’S TIM
AND SAM BAND WITH TIM AND SAM
Previously
- THE DEIRDRES / THE
MINIONS / LOYAL TROOPER / ALISON
O’DONNELL / SPEECH DEBELLE / OVER
THE WALL / THE RAYOGRAPHS / THE
KABEEDIES / VOICEsVOICEs / THE
QUARRY / F**K BUTTONS / THE
ALL NEW ADVENTURES OF US / FRIGHTENED RABBIT
/ THE PAINS OF BEING PURE AT HEART
SINGLE
REVIEW ARCHIVES |
DEMO TIME |
We're
just going to tell you about the very very best demo recording once a week,
no more time for the average, only the most exciting - we're very very
selective, when we tell you it's good then it really is goooooooood...
DEMO
OF THE WEEK
THE
WINTER LEAGUE – An archive of music (and film) that documents a fading
world in ecological collapse is what they tell us this is. Coastal defenses
slipping in to the sea, wind farms grinding to a halt and mountains of
landfill towering on the horizon. The I Like Trains of the ecology front
where a million Dr Beechings are messing up and changing the climate and
soon everything will be gone... The Winter League are five people (and
their friends), five people who think about the end and hope it never comes,
they
don’t give away much about who they are – their music is exquisite. Their
music is full of uplifting hope and quiet beauty, hope despite the mountains
of dead fridges and the shivering and the falling leaves and the quiet
seagulls searching in the wreckage – in from the cold with glowing beauty,
cast off your heavy coat and free your happy heart. Romantic, heroic -
gentle, slow building beauty, refined choral moments and whispered waiting
for the light to come our way. Hymns to the forgotten coastal guard, hope
in the fading light, quiet gentle hope. Four beautiful songs that are a
pleasure to unwrap and explore, sometimes this Organ thing can be such
a pleasure, music like this is our hope-fuel. www.myspace.com/thewinterleague
ALSO
CHECK OUT
Well...
We
got a whole stack of things here that keep going back on the pile for one
more chance, things that have something, things that we may not feel like
shouting too loudly about, but hey, you know, worth a mention and a word
or two and out of little acorns who knows what will maybe one day grow...
AN
ACHIEVER – Four moody down-tempo scratchy indie rock tracks, four dark
brooding alt.rock things from a London band making their first ambitious
moves. Potentially epic in a bit of an I Like Trains way (again), strangely
different vocal style that gives them a little character of their own,
might just be something here that may develop, could be worth keeping an
eye on just in case, nothing to really shout about yet, maybe next time,
there is something positive here – www.myspace.com/anachiever
THE
BLACK KNIGHTS - Scratchy two tracker from a two piece band from Salford
(over the river from Manchester). Bit of an energetic lo-fi alt.blues Black
Keys, White Stripes vibe going down. Primal and raw and sounding a little
too much like a rough demo to really grab hold of anything that concrete
yet. They sound like they’d kick up a storm live though, and if they
can get some of the attitude they clearly have nailed down in a recorded
state then who knows? Not quite doing ‘it’ yet - www.myspace.com/theblackknightsuk
LITTLE
FIELDS - Liverpool band doing that slightly funk flavoured, slightly angular
Futurheads, Q And Not U, Late Of The Pier, Forward Russia thing. An all
very ‘now’ kind of thing - high-pitched indie-boy vocals, frantic delivery,
busy songs, if you have a taste for those bands we just name-dropped then
here you go, we'll leave it with you – www.myspace.com/wearelittlefields
WILD
YOUTH – Blustery glammy punky energy bomb of a band, all hairspray, sunglasses
and no one likes us ‘cause we don’t fit kind of band. Towers Of London
attitude meets 80's hair metal and a bit of Backyard Babies (or maybe even
Skid Row) in there with their high-energy Drugdealer Chearleader English
punkiness. Cocky confident f**kers who come crashing through the door with
a bit of a swagger. Touch of a Clash thing going on with their rather decent
acoustic cover of Bob Marley’s Redemption Song. A half decent throwaway
band from the Midlands of England, energetic glammy punk rock youth gone
wild should you want it... and their My Spage hints at them exploring that
Clash flavoured reggae side a little more – www.myspace.com/wildyouthpunkrock
Last
week's demo of the week - JARMEAN?
Previous
demo's of the week - RIOTGOD / CUTTHROAT
CONVENTION / INERTIA BLOOMS / SID
SINGS / GIRO JUNKIE / THE
ATROCITY EXHIBIT / SEA SICK / COUNTRYSIDE
/ MY SIDE OF THE MOUNTAIN / GRASSCUT
/ COP ON THE EDGE / WILD
DOGS IN WINTER / THE LAZY DARLINGS /
DEBUTANT
/ ARCS OF RED
DEMO
REVIEW ARCHIVES |
'THIS
WEEK’S FREE DOWNLOAD... |
THE
PRODIGY have made the title track of their forthcoming new album, 'Invaders
Must Die', available to download free from their website, www.theprodigy.com.
The song will be available to download for just one week until 7:30am next
Wednesday (December 3). The album is set for release on March 2nd next
year. The Prodigy will play a whole load of Arena dates in April to follow
their already sold out December UK dates. We just downloaded it, sounds
like The Prodigy back on machine driven good form to us - and they have
got the good grace to be taking Fight Like Apes out with then on the December
tour that's just coming up so ....
PREVIOUSLY
- KAYO DOT / BLACK
ELK / MADE IN MEXICO / THE
BUG / TEMPORARY RESIDENCE / WOODBOX
GANG / ALTERNATIVE TENTACLES / EX-GIRL
/ DELIA DERBYSHIRE / F**KED
UP / THE REVELLIONS / LIZ
PHAIR / OASIS /
THE
CLOUD ROOM / HERZOGA
/ THE MELVINS / SHEARWATER
/ THE REAL McKENZIES
/ VAN DER GRAAF GENERATOR |
'RE-ISSUE/best
of OF THE WEEK |
MR.
BROWN – Mellan Tre Ogon (Transsubstans) – A lost piece of inviting melodic
Swedish symphonic prog from the haze of the mid 70’s. Their one and only
album that was originally released in 1977 - not a good year to be releasing
your debut slice of ambitiously melodic easy on the ear prog rock. Mellow
Genesis, Focus, Jethro Tull, Camel, Kaipa flavours - flutes and keyboards,
piano passages, atmospheric Mellotron, gentle Hammonds and such rather
than the heavy progressive guitars that apparently dominated the Scandinavian
prog scene back then. Mostly instrumental, long flowing instrumental passages,
now and again they add words, both in English and Swedish. All very easy
and pleasant and yes, progressive in all the senses of the term – a little
dated now of course and maybe all the better for it. The heart and soul
that today’s neo-prog bands just don’t have. A certain sense of drama,
a twist here, a piano driven turn there Bright, uplifting and all
very proggy. Sould very 70’s melodic, quietly dramatic, piano flavoured,
and if mostly instrumental symphonic prog be your thing then this is a
bit of an enjoyable lost treasure that’s well worth you time – www.recordheaven.net/transsubstans
Previously:
SUBHUMANS
/ RUBELLA BALLET /
BBC
RADIOPHONIC WORKSHOP / MARILLION
/
KUNG FU SUPER SOUNDS
/ VOORHEES /
EXODUS
/ DEATHROW /
THE
GATHERING /
BLACK DIAMOND HEAVIES
/
CLIFF / KILLING
JOKE /
THE SAVAGE RESURRECTION / BLACK
REBEL MOTORCYCLE CLUB / DOOM |
MEDIA, VIDEO, PRINT AND.... |
| Done
and gone and looks like we're out of time again....
PREVIOUSLY
- DVD: NASHVILLE PUSSY / BOOK:
TATTOO SOUP / TAURID METEOR SHOWER
/ BLACK'N'READ ALL OVER / MAXWELL
DAVIES ON DUMBING DOWN / ACT ART 6 - DYING
FOR IT! / DAMIEN HURST / JOE
MEEK / IMPROV EVERYWHERE
/ AARON KRATEN / HURRA
TORPEDO / BOOK:
THE STOOGES – A JOURNEY / JUNK
SALES:SLAVES OF NEW YORK
/ BITTER PIE / SF
ZINE FAIR / GIANT
PAW – ART CARD SERIES |
|
THE END BIT... |
| ...And
Finally..
Schhhhhneeeeews?
What's that? - go see, where would we be without the balance that SchNews
offers, not saying that they're always right, not saying we agree with
everything thay say, we agee with a lot though and everything should be
questioned, damn glad they're there to throw out a question or two and
tell us what's really going on out there - www.schnews.org.uk
libcom.org
is a resource for all people who wish to improve their lives, their communities
and their working conditions.
Meanwhile
to download (free) and watch a selection of SchMOVIES short films click
here
-
www.schnews.org.uk/schmovies
THE
ORGAN MAILING LIST - If you want to be on the ORGAN/ORG Records e.mail
list then you need to get in touch E.MAIL HERE.
|
| PAST
ISSUES...
ORGAN
283 - THE WELCOME WAGON, TIM AND SAM'S TIM AND SAM BAND WITH TIM AND
SAM, JARMEAN? NASHVILLE PUSSY, RUBELLA BALLET, VOLCANO!, THE LAKE SITUATION,
SUBHUMANS, GLOBO, KAYO DOT, I LIKE TRAINS, PREGO, THE VERVE, THE PAINS
OF BEING PURE AT HEART, CRISIS NEVER ENDS, SIX FEET UNDER, USELESS ID,
BITCHES SIN, SLICK'S KITCHEN, JE SUIS ANIMAL, SEVERAL UNION, GUILLOTINE,
DEAD OR AMERICAN, THE JOHN HENRYS, BURNING PILOT and more...
ORGAN
282 - Oh loads of stuff, go see....
ORGAN
281 - F**KED UP, ROLO TOMASSI, MoHa!, SEMAPHORE, THE MINIONS, CHICKENHAWK
TROST, MAGNOLIA, LEFT TO VANISH, FREDRICK STANLEY STAR, HEADLESS HEROES,
TORTUGA, THE BOAT PEOPLE, BARR, SAMMY HAGAR, BORN FROM, ROB HIMSELF, THE
DeRELLAS, THE RACE, CONOR OBERST, DEPARTMENT S, MARILLION, 11:59, GHOSTFIRE,
HANDMADE & BOUND...
ORGAN
280 - AIDS WOLF, THE PROCESS, RIOTGOD, SLITVEIN, TO THE BONES, LOYAL
TROOPER, ALISON O’DONNELL, THREATMANTICS, DARK CAPTAIN LIGHT CAPTAIN, EARTHLESS,
CROWPATH, THE COMPUTERS, MIA VIGAR, BRIMSTONE HOWL, SATYRICON, THE ESTRANGED,
MERCURY REV, AS EDEN BURNS, SUPERSUCKERS, CARNAL DECAY, PSAPP, DANKO JONES,
JOHNNY COLA & THE A-GRADES, UNFOLD PRESENTS: TRU THOUGHTS HIP HOP,
KUNG FU SUPER SOUNDS, MADE IN MEXICO, KOSMISCHE, DESERT MUSIC SCHOOL BENEFIT....
ORGAN
279 - DEERHOOF, MARTIN ORFORD, CUTTHROAT CONVENTION, SPEECH DEBELLE,
OVER THE WALL, SOUTH CENTRAL, MAYORS OF MIYAZAKI, DIAGONAL, CONSOLATION
PRIZEFIGHTER, DAN BAIRD & HOMEMADE SIN, THE RAMPTON RELEASE DATE, NANAS
REVENGE, DISTANCE TO FAULT, MARSHALL LAW, SPEED THEORY, JUD, SOLITARY,
FAILSAFE, EASTER, THE ACORN, FROM MONUMENT TO MASSES, STONE GODS, VOO,
EDO BRIGHTON PROTESTS...
ORGAN
278 - ORIGINAL SILENCE, INERTIA BLOOMS, TRANSMISSION, REPORT SUSPICIOUS
ACTIVITIES, THE RAYOGRAPHS, ABIGAIL WILLIAMS, THE BEDROOM PROJECT, MISPELT
(TWOPOINTZERO), MONKEY FIGHTERS, EXODUS, BONNIE PRINCE BILLY, PAUL J.ABBOTT,
DEERHUNTER, KILL THE CLIENT, RAY, HELGRIND, MARTUTA, ROBIN TAYLOR, INCASSUM,
FLOWING TEARS, DANIEL LAND & THE MODERN PAINTERS, THIS OR THE APOCALYPSE,
I HATE KATE, AIRBOURNE, EXIT CALM, THE PADDINGTONS, SILVERY, MAYBESHEWILL,
HER NAME IS CALLA, WE ROCK LIKE GIRLS DON’T, HAYMAN WATKINS TROUT &
LEE, MAXWELL DAVIES...
ORGAN
277 - yeah yeah, a non stop operation....
ORGAN
276 - Oh go have a look, do we have to list it everyweek, we had loads
of great stuff last week, classic week for new music...
ORGAN
275 - GRAILS, BEATGLIDER, THE ATROCITY EXHIBIT, TO THE BONES, SEA SICK,
F**K BUTTONS, STE McCABE, THE BARDO, GENTLE GIANT, THE ALL NEW ADVENTURES
OF US, HANSON BOTHERS, RUMORS OF GEHENNA, ACID MOTHER TEMPLE & THE
COSMIC INFERNO, JMC, P.G.LOST, UGLY STICK, A TEXTBOOK TRAGEDY, NO RETURN,
TRIVIUM, AMANDA PALMER, THE DeBRETTS, TEMPORARY RESIDENCE...
ORGAN
274 - UNIVERS ZERO, HAUSCHKA, COUNTRYSIDE, MANIQUI LAZER, MAB, MILK
ROAR, HYDRA, MAGICIAN, KIMYA DAWSON, STRIBORG, ROSE KEMP, VOLBEAT, THE
BOBBY McGEES, THE MAY FIRE, MOOSE FACTORY, PRO-PAIN, TRIP LAVA, A
POETIC YESTERDAY, LORD BELIEL, FRIGHTENED RABBIT, FROM PLAN TO PROGRESS,
BOWERBIRDS, BLACK DIAMOND HEAVIES, DAMIEN HURST, CLIFF'S SINGLE, ALTERNATIVE
TENTACLES...
ORGAN
273 - CONSTANTINES, WOODBOX GANG, RA RA RIOT, MY SIDE OF THE MOUNTAIN,
PERHAPS CONTRAPTION, AMANDA PALMER, BYE BYE CANDY, OF THE I, RUDE MECHANICALS,
ANARCHISTWOOD, GIRLSCHOOL, ICED EARTH, ICED EARTH, BLOOD CEREMONY, TONAL
OAK, SOULS, FALLEN, PURE INC, BULLET, THE PAINS OF BEING PURE AT HEART,
DARK CAPTAIN LIGHT CAPTAIN, THE TAMBORINES, EX-GIRL, DESTINATION:OBLIVION,
JOE MEEK....
ORGAN
272 - YOUNG WIDOWS, AMANDA PALMER, EHNAHRE, GRASSCUT, PRINTS, THE FRENCH
QUARTER, POPE JOAN, THE VERVE, BUFFALO KILLERS, MISERATION, DRAGONFORCE,
THE MONO EFFECT, BONKERSFEST ‘08, NOUGHT, GERTUDE, TO THE BONES, ROLLINS,
BOBBY BARKER, ONE TRUE DOG, BLUEZZ INTOXICATED, RAGE AGAINST THE MACHINE,
F*CKED UP, IMPROV EVERYWHERE, CLIFF...
ORGAN
271 - LUSTMORD, SLIPKNOT, LOVELY LITTLE GIRLS, AARON KRATEN, FIGHT
LIKE APES, TOY GUN COWBOY, IMMERSION COMPOSITION SOCIETY, PICTURES PAINT
WORDS, LITTLE JACKIE, RUBY THROAT, TO THE BONES, THE MIRIMAR DISASTER,
AGRYPNIE, CITY 13, LORDS OF BASTARD, THE DONKEYS, GOLDBLADE, BROKEN SOCIAL
SCENE PRESENTS: BRENDAN CANNING, BLAND BLADEN, EUREKA MACHINES, BRIAN WILSON,
PETALS ON A WET BLACK BOUGH, NARRATION, KISSING KALINA, THE REVELLIONS,
KILLING JOKE...
ORGAN
270 - HEY COLOSSUS, ROSE KEMP, MOTORHEAD, COP ON THE EDGE, GNOMES OF
ZURICH, LITTLE JACKIE, JOY OF SEX, GNAW THEIR TONGUES, GEOFF SOULE, UNDERGROUND
RAILROAD, JAGUAR LOVE, HELLFIRE, CRUISER, THE CHAIR, GORGOROTH, SONNY,
REGURGITATOR, LAGWAGON, MILLENNIA, UNBUNNY, TZUN TZU, SUPENIK, ZEBRAHEAD,
MOURNING RISE, SINISTER, THE BIKINI BEACH BAND, ZAG AND THE COLOURED BEADS,
WHIMWISE, SUSAN GEORGE BOOTH, SERGEANT BUZFUZ, POPE JOAN, FOUR DEAD IN
OHIO, THE VIEW FROM BELOW, THE INCONSOLABLES, THE SAVAGE RESURRECTION,
LIZ PHAIR, BLACK REBEL MOTORCYCLE CLUB...
ORGAN
269 - VESSELS, DRIVE-BY TRUCKERS, ELEPHANT 9, ART IN EXILE, WILD DOGS
IN WINTER, DISSENTIENT REVOLT, TONAL OAK, THE STRIPPER PROJECT, GUTZ, 31KNOTS,
INDIAN JEWELRY, KASAI ALLSTARS, NEW MECANICA, LONELY GHOSTS, AGNOSTIC MOUNTAIN
GOSPEL CHOIR, RYE, RYE, LAST HARBOUR, THOSE WHO BRING THE TORTURE, RE-RENAISSANCE
OF THE CELTIC HARP, BEN MARWOOD, VALKYR, EGEBAMYASI, THE CLOUD ROOM, HURRA
TORPEDO, FIGHT LIKE APES...
ORGAN
268 - DOSH, VILE IMBECILES, QUEEN ADREENA, Z's, MOGWAI, DDD, ISOR,
PURE REASON REVOLUTION, BRIAN JONESTOWN MASSACRE, HEAVY HEAVY LOW LOW,
SOUTH, SILVERY, THE LAZY DARLINGS, THRACIA, LATE OF THE PIER, FANTASY BAR,
BLACK FLAME, THE VERVE, HERZOGA, THE STOOGES, FIGHT LIKE APES...
ORGAN
267 - KAYO DOT, SHEARWATER, OXBOW, HARVEY MILK, ONE DAY AS A
LION, KONG, DEBUTANT, IDIOT SAVANT, THE JET BOYS,
NADJA, THOMAS FUNCTION, SEBASTIAN BACH, ORGHIA, SANCTORUM, GROUND
MOWER, DISARM, RON FRANKLIN, BETTER LUCK NEXT TIME, SABATRON, KAROSHI
BROS, THE VIVIANS, THE HAIR, UNDERGROUND RAILROAD, THE EMERGENCY, DOOM.
BIFFY CLYRO...
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