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|
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| ORGAN
#297> MAR 5th '09 - new issue here every Thursday afternoon |
| “"Scroll
down, read this week's issue, couldn't be easier could it? |
Priorities
all out shape from eating cake that you don’t even have yet? "Are you racking
up even more infractions?" This week’s Organ then, and Welsh cups of Earl
Grey....
And lillies are still such
well behaved things and it is spring and the daffodils are here... These
are once again, the things that have been in our ears and on our minds
this week. Please do explore and if it sounds or looks interesting then
just hit the link and go make your own minds up, make contact, go switch
the other, go explore, go get involved we're just here to point the way
- don't let this thing blow over, we've done with undercover - like we
say every week, our reviews and thoughts are mere signposts designed to
guide you to the things you might like to feast on yourselves... don’t
you just love the instant way this web thing works when things fall right
and the doors flip open and the touch of a key....
|
Is
this why you bookmarked us...? |
F**KED
UP are playing a 'secret' low key gig thing this Saturday in London, support
from MOB RULES, MALE
BONDING and THE SCEPTRES all happening at Corsica
Studios, Unit 5, Farrell Court, Elephant Rd., SE17 - Secret low key
gig thing with the forward looking Canadian punk rock outfit headlining,
they're one of the best bands out there right now, their album was the
Organ album of the year last year... Shame it clashes with that thing in
Deptford... Psssst, keep this one under yer hat, INNER
TERRESTRIALS / BABAR LUCK BAND and loads more tbc, Restarts, Autonomads...
OKUPATIONAL HAZARD!!!!!!!!! London’s best squat venue is being evicted!
this will be the last party. It's going to be outside festie style,
best do of the year so far!!!!! 7th March at The Vic, Grove St, Deptford,
all dayer, come early... so said someone, you didn’t read it here officer...
GONG
ANNOUNCE 40TH ANNIVERSARY TOUR - Gong are celebrating forty years of touring
by, erm, touring.. Founding member Daevid Allen will be joined by Gong
members Steve Hillage, Gilli Smyth, Mike Howlett, Miquette Giraudy, Chris
Taylor, Theo Travis and John McKenzie on the tour. The tour will follow
the release of a new album, out in September. Dates are as follows, tickets
are on sale now, press info from Noble. 19 Nov: Bristol O2 Academy, 20
Nov: Exeter Lemon Tree, 21 Nov: Manchester Academy 2, 22 Nov: Edinburgh
Picturehouse, 23 Nov: Sheffield Leadmill, 25 Nov: Leamington Spa Assembly,
26 Nov: Cambridge Corn Exchange, 27 Nov: London Forum, 28 Nov: Oxford Regal
Theatre, 29 Nov: Brighton Corn Exchange
Lots
more of this everyday on our news pages and forum
pages.. |
John on the phone... |
ORGAN
ON YOUR RADIO - WEEKLY on SUNDAYS AT 9.00pm via RESONANCE
104.4FM in London and worldwide via www.resonancefm.com
Who
got played this week?
1/intro:
TRANSISTOR SIX – Back Yard Rocketship (Blackbean & Placenta)
2:
JULIE DOIRON – The Life Of Times (Jagjaguwar)
3:
FUN MACHINE – Blok People (BNS Sessions)
4:
THE JESUS LIZARD - Thumper (Capitol)
5:
CHEER ACCIDENT – Blue Cheadle (Cuniform)
6:
TWO FINGERS feat. SWAY – Jewels And Gems (Big Dada)
7:
UNLEARN – Still Life With Actress (Noise/Order)
8:
VLADIMIR BOZAR ‘n ZE SHERAF ORKESTRA – Super Mythoman (Imago)
9:
DM STITH – Issac’s Song (Asthmatic Kitty)
10:
RAVEN BEATS CROW – Raven Beats Crow (Demo)
11:
PERHAPS CONTRAPTION – Hard Cutlery (unreleased)
12:
Y DIWYGIAD feat LEWIS TEWWS – All Mouth (Dockran)
13:
INNER TERRESTRIALS – Burning Bridges (Katie B)
14:
Y DIWYGIAD - Paineifiwen (Dockran)
15:
COMMANDER KEEN – Lying In The Dark (Only Pretend)
16:
MI AMI – Freed From Sin (Touch And Go/Quarterstick)
17:
ROBERT JACOBS – Marie Langlois
THE
DETAILS, THE FACTS, THE LINKS.... More details of the weekly alternating
Organ hour and Organ Other Rockshow, all the tracks and where you go to
find out more about the bands and things we played this week herex |
|
NEW ALBUMS WE’RE LISTENING TO THIS WEEK |
We’ve only got time for
the albums worth hearing, we say this every week, if you've read it already,
then just cut to the chase. Now and again we may take a bite out of something,
mostly this album section is about the good things we’ve encountered durning
this last (busy) week... why fill up our time and pages with negative thoughts?
Why fill it with the average, with the things that did nothing for us,
what make you think we have the time anyway... these are the things that
did do things, these are this week's album signposts...
x |
ALBUM
OF THE WEEK
CHEER-ACCIDENT - Fear Draws
Misfortune (Cuneiform) - If, in twelve months time, this isn't in the Organ's
top three of our 100 best albums of 2009, then we'll be looking back at
a pretty extraordinary year.
Bit of a tall claim, then - for a start, who the hell are Cheer-Accident?
This album opens with a striding, angular rhythm with a defiant Gentle
Giant pedigree, like an uncanny simulacrum of 'Just The Same' but
coloured by the tension and energy of right now. That beat lopes
like a seven-legged wolf with one foot dragging a trap, and it gets overlaid
with female vocals in tight harmony, only its the kind of devils-interval
harmonies Univers Zero and Cardiacs revel in, while the bass stays down
there simple and threatening, making the whole kind of hard-edged King
Crimson (or in other words, Stravinsky) but emotional; finally, it takes
off, the clouds open, soars. And that's just the five minute opening track,
the warm-up.
Cheer-Accident are a Chicago underground phenomena, a band who way outdo
even Cardiacs for hiding their talents under a bushel. Dogged by obscurity,
unlucky breaks, and self-hamstrung by a propensity to entertaining situationist
gestures, they're something people stumble across. If your radar's finely
tuned, you catch that sparkle of slippery brilliance, and you're hooked
chasing it forever. 'Fear Draws Misfortune' however, doesn't hide
anything: it dazzles effortlessly from the start, working on a dozen levels.
Its as cool as Shellac and Pavement and F*cked Up and any number of out
there alt.indie bands, whilst simultaneously being one of the greatest
progressive rock albums, ever. It's way more dense and detailed and complex
than The Mars Volta, and way easier to listen to courtesy of a seemingly
endless supply of richly varied melody.
Cheer-Accident have been making music - and a few other things, including
a legendary weekly surrealist TV cable TV show - since some point in 1981,
around core members Thymme Jones (drums, vocals and loads of other stuff)
and Jeff Libersher (guitar, loads of other stuff). Like other truly
great underground bands, they started off releasing tape albums, selling
them at gigs; they can now count around 15 albums in their back catalogue,
some self-released, some on Chicago's Skin Graft Records. The Organ's
first encounter was via 'Dumb Ask', possibly Cheer-Accident's most straightforward
'rock' output and duly released in the UK by metal label Neat and naturally
marketed as such, ensuring they'd be a touch too rough and indie weird
for Kerrang etc and ignored by the (then guttering, feeble, pariah) UK
prog scene. We're talking 1991 here fergoodnessake, another world. 'Dumb
Ask' rocked in an angular, quality way but parts of it made us blink and
go, waaaait a minute, what was that? That wasn't exactly four beats to
the bar, was it? The only thing really comparable at the time was Voivod's
Nothingface (aka: the birth of math metal). 'Dumb Ask' got our attention,
but it's only a small, metalized part of them; it was a shame we didn't
get our hands on more of their output for some time. Eventually,
a few lone tracks that came our way, on compilations and downloads, and
I found myself listening to them repeatedly, trying to pick out just why
they were so addictive and compelling, why they went so deep.
'Fear Draws Misfortune' is a coming-of-age, a perfect maturation point
with years of creativity behind it. The core members of Thymme and Libersher,
and current bassist Alex Perkolup have gathered together a flexible orchestra
of friends from the burgeoning American avant/rock/jazz/classical underground,
including Carla Kihlstedt from Sleepytime Gorilla Museum on violin and
vocals. With all this willing and respectful talent out there to help,
Cheer-Accident have been able to sweep in strings and brass and woodwind.
They've kept their puckish, contrary humour under control, though it bubbles
up to good effect in a menacing quacking trumpet in The Carnal Garish City.
Thymme Jones holds it all together on a legendarily knackered kit, apparently
a 'rattletrap' bucket of bolts; he may well be one of the finest drummers
of our time, as distinctive and personalised as Zach Hill. Effortlessly
rolling along these astonishing Fripp-style cyclic multi-time-signature
loops, yet always beautifully expressive, not unlike Guy Evans of Van Der
Graaf Generator. They kick off into proper Zappa type complexity,
and a chunk of Koenjihyakkei flies past...the influences go by in blurred,
subliminal hints, within those bleakly beautiful King Crimsonish lopes:
Morricone, earlyGenesis, UK, (loads of) Stravinsky, (loads of) Yes, Lalo
Schifrin.... Bacharach? Is that what that is, at the end? They even
sound like early, Dumb Ask Cheer-Accident at one point: in fact, they always
sound like Cheer-Accident, whatever myriad fragments of their collective
musical memories pop up in the stew (Stereolab? Henry Cow?). Above
all, they will always arrive at a tense, haunted, mysterious place, whether
exploring with minimalist drones and sparse drums or, as in 'Fear Draws
Misfortune', going for all-out maximalism.
A breathtaking, essential album for anyone into post or math or real progressive
rock, or just the different and beautiful beyond classification.
More from www.cuneiformrecords.com
or www.myspace.com/cheeraccident
or www.cheer-accident.com
x
ALSO
CHECK OUT
PURE REASON REVOLUTION –
Amor Vincit Omnia (Superball) – The next move is finally here, been a lot
of people waiting for this, the English band are a genuinely growing worldwide
underground cult outfit these days and this latest album seems to have
been in the making for quite some time... Amor Vincit Omnia is a bold brave
album, Pure Reason Revolution could very easily have pleased everyone by
just going down that far too safe neo-prog Porcupine Tree route they’ve
been invited down. Thankfully they resisted that easy option and instead
they’ve continued along this far more risky side route of their own. Not
that the hoards of neo-prog followers they’ve amassed out there won’t be
happy, this is still very much a Pure Reason Revolution album, they will
drag you under again. That mix of Englishness prog, that bright West Coast
American pop that tastes of finest Beach Boys or prime Fleetwood Mac, those
trademark bits of delicious boy/girl harmony are still here, those rounds
and that melody that could only be PRR, and this time far far more electro
bite then ever before... Man Parrish for IQ fans, Justice for Yes fans
– fizzing arcing electro-prog, and something all of their own, euphoric
and still those bright ambassadors. That authentic irresistible machine
driven groove they’ve been kicking up live is here as well – they got it
all nailed without ever getting too far from their original blueprint.
A brave album that could have so easily have gone wrong, they pulled it
off with impressive melodic style - real musical progression, proper prog
rock and so much more rewarding than all those conservative Porcupine Trees
out there boring the hell out of us. Laced with all those euphoric
harmonies, flowing with easy adventure, alive with real progression, with
electro bite, the bright ambassadors have indeed made their finest album
yet, pure reason a little bit of musical revolution, something that’s sure
to be loved and loathed in equal numbers, a brave uplifting triumph as
far as we’re concerned – www.myspace.com/purereasonrevolution
|
TO
ARMS ETC. – Corner Games (Bronzerat) – New band and a fine fine debut album
from an outfit fronted by UK-based Australian epic multi-instrumentalist
Charles Campbell-Jones. His solo album was well and truly championed around
here a year or so ago, played it lots on the radio, touched the sky with
it again and again – epic prog with something all of his own and really
something very special. This first To Arms album has a lot of the feel
of that fine solo album, same qualities, indeed some of the same songs,
more of an indie poppy feel though, effortlessly poppy prog rock flavoured
goodness.... Charles and his band glide easily from melodramatic minimal
mellowness to things deliciously epic. Crafted, subtle, very much about
the art of songs, effortless songs that glide with so much ease. There’s
a kind of easy timeless Englishness to all this, a glow, a gentle choral
euphoria that takes off (while still remaining calmly in control) when
it needs to. It isn’t self-indulgence, it is colourful imagination and
an honest need to do things this way. Hints of 60’s baroque pop,
Scott Walker, Lou Reed, a touch of Elbow or Keane (well Keane’s better
moments on that first album). Cohesive, uplifting, and yes sky touching
again when songs like Most Mathematicians (and others take you there again.
Flocks of indignant geese, concentric rhythms, piano melodies, touches
of 70’s glam – the grandeur of Mott, a relaxed at ease Roxy Music, all
laughing down by the lake, gently infectious, sun on your back, taking
you with it - all is well, hands on your head, parting clouds... They got
their band name from Serge Gainbourg’s Aux Armes Et Caetera. If pop wasn’t
such a devalued term we’d talk of richly layered timeless pop, splashes
of water to open your eyes, ‘indie-prog’ doesn’t do this justice either,
To Arms Etc are in their own space, they’re different. The mid-album instrumental
Super Radiance is breath-taking joy, melodiously good, the whole thing
is a joy – not quite as good as that solo album, very nearly though, very
nearly... Don’t let people tell your they’re just another slightly prog
flavoured indie bands, lot more than that to be enjoyed here – www.myspace.com/toarmsetc
or www.bronzerat.com
MICHAEL GRAVES – Illusions
live: Viretta Park (Screaming Crows) - He of the Misfits with an acoustic
guitar getting all “deep and meaningful” as he sits on a bar stool and
strums away like a broken down goth Bruce Springsteen or something. I guess
if you like this kind of thing (and you love those Misfits) then he has
the raw-edged death rock voice to pull it off... And you can catch the
lyrics and she won’t stop screaming and the voice tells him that he’s dying
but he tells the voice he feels fine... www.screamingcrow.com
FRANK ROTHKAMM – Frank Genius
Is Star Struck (Flux) - A whole load of cut up pieces of music, sound bites,
collaged together with electronic stitching – spoken word bites, slices
from radio shows, riffs, cut ups, beats, we’ve heard this many times before
(dare we ask if anyone remembers those Organ radio tapes of the late 80’s
with the collaged bits between the bands that we laced together using cassette
decks and bites from this and that?). Conceptual sound art and a million
samples from the respected LA based German composer – “nu skool mash up,
old school classic”... Been there, heard that - re-synthesised cut up sound
art that’s pleasant enough on the ears, dialectic poptronics, not as revolutionary
as all the trumpet blowing blurb that came with it would like is to tell
you it is... www.fluxrecords.com
/ www.rothkamm.com
x |
THE
LONG LOST – The Long Lost (Ninja Tune) - This is gorgeous, absolutely gorgeous,
especially ‘Cat Fancy’. The whole thing is gorgeous. Whispered silk and
stroked strings, thistle-soft tunes, brushed toy pianos, an omnichord,
clarinets, alto-flute, paws on piano strings. The Long Lost are a duo from
Los Angeles (although they van number anything up to five live). A treasure
chest of delicate trinkets and lucky charms, gorgeous gorgeous whisper
china-delicate beauty. Alfred and Laura Darlington and their fragile acoustic
project, a collection of porcelain love songs, careful tunes, crafted vocals,
perfect in every way. Playing with delicate polyrhythms and turntable delicateness
that you almost don’t notice. Genuine, sweet, just perfect cliché-free
love songs, perfection – www.myspace.com/findthelonglost
x |
LIONS
SHARE – Dark Hours (Blistering) - What we have here is a decent enough
traditional power metal band, touches of Dio, hints of Accept, Judas Priest
or Y&T, all screaming light and demons hiding behind fences, voices
calling again. Galloping metal, melodic stuff, mountains of angelic keyboards,
big riffs, in the driving rain (with whips and chains) and all very very
Dio... Lion Share do it well enough, they’ve probably seen the tiger’s
stripes and know it to be free. Metal, none more metal, traditional old
school melodic power metal and rumours in the air about the blood on the
rocks, the voices of a thousand dreams to break a blindman’s law on judgement
day, it is indeed a heavy cross to bare. Chains remain unbroken, they’re
from Sweden, totally unoriginal but hey, kind of good at it should you
want them to lead you to their promised land. Excellent slice or two or
preposterous beyond the frozen rainbow old school heavy metal actually.
Gone very very Accept now in their bottomless pit and their cradle of madness
with their chain reaction dance of the chainsaw and their lair or heathens
and fortress illusions - love it! Welcome to forever in the bottomless
pit... “Die for the road to disaster” What does that mean? There’s some
deep and meaningful lyrics to explore here, “face the shadows tonight”,
I want a lion’s share and I do not care what it takes (as Vardis would
say).... Metal! - www.myspace.com/lionsshare
or www.blisteringrecords.se
THE TEA CLUB – General Winter’s
Secret Museum (self release) – We’re somewhere near something akin to the
adventures of Mars Volta or maybe Rush, only somewhere near a place near
to a combination of the two though, The Tea Club have something of their
own to offer. Alive with a considered dynamic of their own, The Tea Club
just might be a tad more enjoyable that Mars Volta’s more recent excesses
- less of the histrionics, far more subtle, more rewarding, a cleverer
approach, progressively good and a little more refined, a little less obvious
– this is good. Clever bits of progressive construction, fluid songs, strong
vocals. No reinventing the wheel or anything, just really good melodic
considered refined dynamic prog flavoured accomplished intelligent alternative
rock from a young four piece from New Jersey. A colourful band, a considered
band and a band with a flavour of their own – refined melodic prog adventure
and now and again a breath-taking dynamic. An album that’s rather recommended
and an impressive band who could well be making a few serious waves in
the near future - www.myspace.com/theteaclub
x |
ISOLE
– Silent Ruins (Napalm) – Epic doom metal is what it says on the tin, all
dark clouds and hallow shrines again. The forth album from the Swedish
band. Double bass peddle pounding, grandiose chords, choirs of monks handling
vocals, all soulscarred before nightfall. Very much an epic/vintage
Candlemass sound and packed with giant doom laden riffage and doom doom
epic epic Candlemass Candlemass – www.myspace.com/isole
MEMORIAL – In The Absence
Of All Things Sacred (Casket) – Brutal pounding thrash metal intensity
from Denmark, they’ve got a raw edge, a threatening old school no messing
punch or two – www.myspace.com/memorialonline
DAVE ARCARI – Got Me Electric
(Buzz) - One of those one man lo-fi hobo freight-train riding broken old
electric guitar seasick alt.blues men. This time from somewhereville UK
rather than New Orleans or Alabama. Trash country, delta blues, lo-fi stuff,
you know the score, not a lot different to the others like this we’ve already
heard quite a few times, others do it with a bit more soul – www.davearcari.com
or www.thebuzzgroup.co.uk
x |
Y
DIWYGIAD – Hymn 808 (Dockrad) – Y Diwygiad’s first album (their name means
The Reformation in English), yep, we’re talking Welsh rap – well no, we’re
talking multilingual rap, you don’t really need to know what they’re saying
in the Welsh bits to get in to this. This is fine fine... OK so it maybe
helps a little to know about the cups of tea and which window and semi
skimmed milk and who shouldn’t mess with who... No, you don’t need to know,
this works on so many levels and there’s more than enough of it in English
if you don’t know your Welsh (and hip hop is a universal language isn't
it?). The music is front line beat driven electronica, the rap is as good
as anything you’ve heard in recent times – and it is such a good language
to rap in, Welsh I mean.... Excellent music, fine front line tunes, fine
fine lyrics – they don’t rap about guns, they rap about fields and fighting
dragons (and the Llannech-Y-Medd front line, don’t laugh, I got in far
more situations there than I ever did here in NW10!). Oh look, this is
tasty kicking rule bending imaginative hip hop (and you might like to note
that when we played some of it on the radio last week most of the positive
feedback and the requests for more came from America). And some of it was
recorded in LA with Daedelus, this is not small town messing around, this
is some serious stuff, a breath of hip-hop fresh air from deepest Wales,
who’d have thought it... Recommended – www.myspace.com/ydiwygiad
or www.dockrad.com
x |
| BONNIE
PRINCE BILLY – Beware (Domino) – He seems even more sublime with his refined
melancholic downbeat bottom of the empty bottle alt.country this time around.
All eye shut and one more night, all down and not quite dark but hell,
you got to be in the right headspace to want to lose yourself in all this
maudlin violin and broken-hearted slowness. No doubt beautiful if you are
in that right head space but hell... it isn’t that far from a Slim
Whitman record and I’d rather be in Charlie Pride’s Mississippi Cotton
Picking Delta Town with that mangy old hound just walking up and down.
“Every night when the sun descends, I start downhill again...” Right Will,
pass that bottle will you, there must be a little drop in there... www.dominorecordco.com
WILLIAM
ELLIOTT WHITMORE – Animals In The Dark (Anti) – He’s from rural Iowa, he
has such a rich voice, soul, passion, and this latest album is more of
his poetic delta blues and more of his romantic populism. Yes he is re-connecting
the early Southern American blues to the ideals and working class contemporary
world of hardcore punk rock. Yes you could compare him to Billy Bragg or
to Bruce Springsteen as much as you could compare him to the Blind Willie
McTells or the Jaybird Colemans... Just one man, one guitar and a rich
rich golden American baritone delta alt.blues voice, he’s the authentic
real gospel-touching deal, pointing his finger and demonic politicians
and the old devils who are at it again, the authentic real gospel-touching
deal – www.myspace.com/williamewhitmore
DEAD
MAN’S HAND – The Combination (Agonia) - They appearing to be growling like
drain-suckers about some dead body they found in a barrel.... Hang on,
singing about sucking at the decayed holes in a rancid Polo mint now, and
wanting justice for said brand of minty sugary sweets, at least that’s
what I deciphered from the guttural bubblings - you will surrender,
there will be justice for confectionery when the black lord and his flies
take over.... Who we got here then? Dead Man’s Hand? Did he have a polo
clutched in that there dead hand? Did you find it in a barrel? Did you
wash your own hands afterwards? Eating minty sweets with dirty hands is
not big or clever even if they do freshen up your deathly breath. Oh no!
Track five, “Bloodstained hands”, they didn’t wash!! Dirty dirty dirty...
Dirty handed thrashing growling putrefaction and more puss-filled extreme
metal then. Guess they do it as well as all the others, I’m sure there’s
a good reason for making a record that we’ve heard nearly six hundred and
sixty five times from other bands over the last twenty years already, they
do it as well as any of them, anyone got any mouth wash? – www.dmh-metal.com
or www.agoniarecords.com
x |
ALBUM
REVIEW ARCHIVES |
|
LIVE |
| Tell
you what, we'll get around to typing out a whole bag of live reviews for
next week's issue, been too busy at gigs to be here typing about them.... |
|
Live
previously - THE RAIN EMPEROR / AMANDA
PALMER AND THE DANGER ENSEMBLE / THE THREE
AGES OF ELVIS / ORPHANS / ZACH
HILL / THE PRESENT / TRENCHER
/ EVERYTHING EVERYTHING / THE
PRODIGY / FIGHT LIKE APES
/ SOUTH CENTRAL / ROSE
KEMP / HANDS ON HEADS / PLUG
/ MOTORHEAD / THE
JESSIE ROSE TRIP / PURE
REASON REVOLUTION / F*CKED
UP
LIVE
REVIEW ARCHIVES |
THINGS TO GO CHECK OUT? |
£2000
is the price new bands are expected to pay to get a slot on the Guilfest
new band unsigned band stage this year (and there was you thinking you
got on the stage because you were making the most exciting new music they
could find)
Pay
to play, the evil practice is spreading again...
JUST
READ THIS SOMEWHERE...GUILFEST are doing it again! PRICES UP AGAIN
THEN, PROMISED US (AND THE MUSICIANS UNION) THEY'D NEVER DO IT AGAIN two
years ago, increased it from 1500.00 to 1750.00 last year, up to 2000.00
this year, all to play in an empty tent somewhere on the edge of the festival
with only your mates who you emotionally blackmailed in to buying a ticket
(or more likely gave away a ticket to becasue no one would buy them) watching
"This
may have already been covered, but... I just rung the lovely people at
Guilfest to enquire about their artists submissions policy for 2009. I
got to speak to a lovely man named Mal, who asked me lots of questions.
He then told me that all unsigned bands are expected to purchase 50 day
tickets up front....at £40 each. Anyone got a spare £2000 kicking
around?"
Pay
to play, forced ticket buys, and convincing new bands who really don't
know any better that this is the only way to get anywhere is well out of
order and these promoters all know it.. Legally Guilfest are doing nothing
wrong, but morally...? They have no morals do they...
What
happened to that promise you made to me on the phone and to the Musicians
Union two years ago Tony? (Tony is your head man at GuilFest)
And
the practice is spreading in London as well, bands are reporting more and
more pay to play, forced tickets buys and such at places the Water Rats
and Purple Turtle.
Pay
to play is an evil, a morally bankrupt practice, lazy ‘promoters’ who think
nothing of exploiting the hopes and dreams of new bands by telling them
this is the only way to get anywhere in the music industry, not only is
it wrong, they’re lying to you, you DO NOT HAVE TO PAY TO PLAY to get anywhere,
you should never ever hand over money to play a show, you should never
be forced to pay a ‘deposit’ or be forced to buy tickets, any promoter
who does this isn’t going to be putting on any kind of good show that any
of us are going to turn up to, you’ll be just be playing to your mates,
the mates of the other bands will stay in the bar or leave as soon
as their and have played... everyone knows the score besides you new bands
that these scumbags are leaching off. Don’t fall for it, never ever pay
to play, just a waste of your time and money
Back
in the late 80’s it was pretty much impossible to get a gig anywhere in
London for a new band without paying to play, until a load of right-thinking
promoters, zines, labels, people like the TLF, the Musicians Union (who
these days are pretty useless we’re sorry to say) made a stand in London
and for a while anyone who tried it was treated like they had the plague.
The problem is spreading again, time for everyone to shout once more, these
things matter to bands new and old and us, the people who pay to get in
to gigs – loads more about all this on the Organ forum....FORUM
x |
SINGLES |
SINGLE
OF THE WEEK
KING
OF CONSPIRACY – Youth Against The Empire (Catcutter) – Parisian art-punk
trio with a bag load of fizzing guitar driven fractured slicing energy
and kicking against just about everything franticness. Primitive yet artful,
dodging bite and scathing fractiousness – new wave dance floor drum patterns
driven by wired messy guitars that’ll have you ending up on your knees,
lips moving faster. McKlusky’s awkward energy, a load of uncompromising
intelligence and touch my skin ‘cause I’m on fire... – www.myspace.com/kingofconspiracy
or www.catcutter.co.uk
x |
| ALSO
CHECK OUT
BABY
GRAVY – Did It Again (STW) - Feisty jagged girl-fronted bite, fizzing edgy
nervy synths and primal drums, post-punk pop urgency and Slits for
Human League fans. Only one track here, we need more, this makes us want
more, one track is never enough to tell, this is good, we want more. They’re
from Oxford, fidget-pop that will agitate your ears, we like our ears agitated...
www.myspace.com/babygravymusic
or www.stwrecords.co.uk
SAD
DAY FOR PUPPETS – Marble Gods / Big Waves (Sonic Cathedral) – From Sweden
with their debut UK single and it sounds like a whole load of wholesome
alt.pop rock things from the 80’s and 90’s – Dinosaur Jnr, Teenage Fanclub,
Lush, The Church, Big Star, little waves of soothing fuzz and gentle feedback
and a bright breezy female voiced trio... www.soniccathedral.co.uk
TELEPATHE
– So Fine (V2) – Creamy electro pop laced with fine melodies from Brooklyn’s
rather soothing Telepathe, warmed bodied 80’s synth lines – www.myspace.com/telepathe
Last
week's single of the week - SPEECH DEBELLE
Previously
- FRAN RODGERS / COMMANDER
KEEN / EMMY THE GREAT / SONNY
/ JENIFEREVER
/ LIME HEADED DOG
/ FIGHT LIKE APES
/ OH, ATOMS / DENNIS
HOPPER CHOPPERS / CUDDLY SHARK / RED
PAINTED RED / RALPH BAND /
RAW
POO / RUDE MECHANICALS / THE
BRUTE CHORUS / TIM AND SAM’S TIM AND SAM
BAND...
SINGLE
REVIEW ARCHIVES |
DEMO TIME |
DEMO
OF THE WEEK
THE
TRUTH ABOUT FRANK – Another four tracks from the rather experimental Leeds
based thing called The Truth About Frank. And as Franks said, this is going
to be dancing around architecture once more. Four very experimental pieces
of fluid sound art. The piece of not very clear paper says something about
a piece of work that revolves and evolves around something called 14 Versions
Of The Same EP volume 11. All we can tell you is that we have here four
pieces of rather soothing repetitive machine music, warm resonance and
that good feeling when something like a printing press or a bass-heavy
washing machine (n a great big storage tank) gets in to some kind of soothing
groove. All kinds of glitching and dub narcotic sound systems. Powerful
use of silence, the constructions are subtle, never invasive, complex and
big, never overpowering (despite the obvious power). Magnetic, hypnotic,
several rhythms competing for your ear. Soothing metal machine music. Investigate
via www.myspace.com/truthaboutfrank
ALSO
CHECK OUT
MOUNT
– Three tracks from a Leeds band who’ve been around for about a year or
so. Three decent tracks that fall somewhere between a Kyuss, Blue Cheer
blues thing and a Sonic Youth kind of attitude. They grabbed ears from
the start with that rumbling introduction to ‘Hassle’ and that righteous
slow moving guitar sound they have, that and the thing about tying their
own laces. Slow moving expansive alt.blues that takes off when it need
to. A sense of light and shade, a dark moody set of sonic adventures, filtered
through an alternative edge and well worth checking out – www.myspace.com/wearemount
THE
WELCOME COMMITTEE – They’re a blustery two piece from Southend, one of
those slightly alt.folky kind of punky indie things, positive kind of Frank
Turner, Billy Bragg style with those personal emotions and experiences
and tales and such – www.myspace.com/thewelcomecommittee
SUPER
SONIC HERO - Glam-tinged energetic Brit-rock from Sheffield. No messing,
straight down the line rock-outs, little toooooo straight forward for fussy
these ears, they’ve got a ballsy attitude, I guess if you like hard edged
pop rock and those Stereophonics and Three Colours Red kind of bands –
www.myspace.com/thesupersonichero
x |
| Last
week's demo of the week - INTO FLIGHT
Previous
demo's of the week - LUCY DAY / ONE
TRUE DOG / WHOLE SCHEBANG / THE
BUMBLEBEES / KIJU / AWESOME
WELLS / THE MAXIMUM DANGER PROJECT /
CHARLIE
BARNES / THE CURSORS / THE
WINTER LEAGUE /
JARMEAN? / RIOTGOD
/ CUTTHROAT CONVENTION / INERTIA
BLOOMS
DEMO
REVIEW ARCHIVES |
'THIS
WEEK’S FREE DOWNLOAD... |
This
week’s free and legal download can be found via the link on the ALESSI’S
ARK Myspace page, there you’ll find a glorious piece of glowing uplifting
alt.folk-pop from the West London teenage singer (she can’t really be a
teenager can she?). A slice of string-rich golden sophisticate pop, a lush
glowing song called Magic Weather from the highest shelf where you find
the nouns and verbs and similes and poetry that really could be the start
of something very very good, blindfold your brain, feel your way, follow
her twists and turns and follow her like a feather with her magic weather
and sophisticated colour – go enjoy her musical beauty, new Kate Bush anyone?
You need to follow the link, sign up, don’t worry though, they haven’t
spammed us with loads of junkmail and you’ll want to know more after this
one fine song pulls you in, you’ll want them to mail you and tell you more
– wonderful, and sleep with your umbrella and we keep telling you
about wonderful music but this really is a special treat - www.myspace.com/alessisark
PREVIOUSLY
- TEN CITY NATION / SIGUR
ROS / IMAGINATION SCHOOL /
REAL
McKENZIES / FAT WRECK / DOMINIQUE
LEONE / JAGJAGUWAR / VESSELS
/ COLT / LIARS
/ SLARAFFENKLANG / 4AD
/ PHANTOM LIMBS / THE
PRODIGY / KAYO DOT / BLACK
ELK / MADE IN MEXICO / THE
BUG / TEMPORARY RESIDENCE |
'RE-ISSUE/best
of OF THE WEEK |
BIRDSONGS
OF THE MESOZOIC - Dawn Of The Cycads (Cuneiform) - Another of Cuneiform's
superb re-issues: this time, it's a lovingly collected and presented double
CD retrospective covering Birdsongs Of The Mesozoic's early career.
Covering all three of their recordings for the Ace Of Hearts label, plus
bonus tracks, 'Dawn Of The Cycads' would be worth having for their splendid
interpretation of Stravinsky's 'Rite Of Spring' alone. Originally
a contemporary/avant classical, keyboard driven side project of Boston
post-punk outfit Mission Of Burma, Birdsongs Of The Mesozoic were making
very listenable, likeable avant rock back in the early eighties that still
sounds fresh and vital at the core. Many of their pieces are constructed
around early-sounding drum machines and analogue keyboards, simultaneously
recalling late night John Peel oddities and the BBC Radiophonic Workshop's
better title themes. Influenced by the minimalist movement (but far
more flexible) this is experimental music at its most playful and tuneful,
full of fluid, delicious piano explorations; occasionally the Mission Of
Burma roots will pop its head up in the form of a garage guitar riff and
rub along nicely with a tape loop or a treated sax or whatever it is. There's
a touch of Thinking Plague about them, Mike Oldfield’s more experimental
moments (yes, he had them) - and of course, there's a track on here called
'Terry Riley's House' (its very good). There's more than a dusting of angularity,
darkness and tension, but it won't flatten your cat's ears to her head
with noise and harshness (although 'Rite Of Spring' comes close). For a
band that can be genuinely termed 'experimental' its surprisingly warm,
often mellow, as well as rocking out in a refined, organic way. There's
nothing pretentious or self-conscious about these compositions - the considerable
playing skills of pianist Roger Miller and keyboardists Erik Lindgren and
Rick Scott are in the service of rich tunes and innocent energy. The quartet
was made up by Martin Swope on guitar duty. Rather than gravitate towards
the avant-prog scene, BOTM found themselves sharing stages with the likes
of Einsturzende Neubauten, They Might Be Giants, Siouxsie & the Banshees
and Psychic TV. "We were always the square peg in a world of round
holes. Our instruments weren't bass, guitar and drums but guitar, three
keyboards and drum machine (with turntable, water can, washboard
and clarinet thrown in for good measure!). We shared the stage with three-chord
rockers, but played music from Brian Eno and Stravinsky, and covered the
theme from 'Rocky And Bullwinkle'. It boggles the mind how we got away
with it" - keyboardist Rick Scott.
'Dawn Of The Cycads' includes extensive sleeve notes and a nice folder
on the second CD full of interesting band gubbins that includes posters,
sheet music pdfs, set lists and the fanzine-like 'Misinformation' sheets
they used to give out at gigs (nice idea). Not to mention over half an
hour of unreleased studio and live material. Definitely not a 'for
fans only' release, this double album is a perfect introduction to a band
who are both adventurous and extremely enjoyable, and still gigging/creating
20 years on. – www.cuneiformrecords.com
or www.myspace.com/birdsongsofthemesozoic
Previously:
DEEP
PURPLE /
GRENOUER
/
BLATZ / FILTH
/
EYEHATEGOD
/
THE BOXER REBELLION
/
THE NERVES / THE
THING / THE ERGS / DAMON
& NAOMI /
MR.
BROWN /
SUBHUMANS
/ RUBELLA BALLET /
BBC
RADIOPHONIC WORKSHOP / MARILLION
/
KUNG FU SUPER SOUNDS
/ VOORHEES /
EXODUS
/ DEATHROW |
MEDIA, VIDEO, PRINT, ART AND.... |
SHELLY
WYN-DE-BANK, WHO'S SHE? Well she has a new show opening up this weekend,
6 Day Riot took us there, well checking up on what they were up to took
us to Shelly's work.. and rather good it is, there's al lthe links you
need ot go explore, here's some details....
"Supine
Studios are hosting an art show of work by Shelly
Wyn-De-Bank. There will be lots of amazing music, a bbq and a bar and
its all free so come down and get involved! Music starts at 5.00pm, bands
playing acoustically, doing two or three songs each, appearing in no particular
order." Bands and such playing include 6
DAY RIOT / LAIL ARAD
/ A-HUMAN / JOSH WELLER / JAMES GREEN / THE BICYCLE THIEVES / LOFTY HEIGHTS
/ LAURA AND THE CLOCK / OLIVIA CHANEY / CARPET BANG BANG / HONEYTRAP /
ROBIN GREY / QUIST / ORPHEUS KNOXX / MAGIC LANTERN / JOSH EXTRAVAGANZA
/ ALMA NOFEAR / SAM - all happening over at Supine
Studios in Dalston, deepest underground London..
PREVIOUSLY
- ANDREA JABLONSKI / AMANDA
PALMER / JOHN SQUIRE / BERNADETTE
LOUISE & NATALIE SWAIN / I
AM JOY / PROG ROCK BRITANNIA / INDYMEDIA
/ FRESHWHIP / ANDY
WARHOL'S SCREEN TESTS DVD / DVD: NASHVILLE
PUSSY / BOOK: TATTOO SOUP |
|
THE END BIT... |
...And
Finally..
Schhhhhneeeeews?
What's that? - go see, where would we be without the balance that SchNews
offers, not saying that they're always right, not saying we agree with
everything thay say, we agee with a lot though and everything should be
questioned, damn glad they're there to throw out a question or two and
tell us what's really going on out there - www.schnews.org.uk
libcom.org
is a resource for all people who wish to improve their lives, their communities
and their working conditions.
Meanwhile
to download (free) and watch a selection of SchMOVIES short films click
here
-
www.schnews.org.uk/schmovies
THE
ORGAN MAILING LIST - If you want to be on the ORGAN/ORG Records e.mail
list then you need to get in touch E.MAIL HERE.
|
| PAST
ISSUES...
ORGAN
296 - VLADIMIR BOZAR ‘n ZE SHERAF ORKESTAR, JULIE DOIRON, DM STITH,
THE RAIN EMPEROR, FAITH NO MORE, BLUT AUS NORD, THE SOUNDSCAPES, UNLEARN,
PESTILENCE, LIGHT SYNDICATE, INSTANT FLIGHT, MT. ST. HELENS VIETNAM BAND,
CRIMFALL, ARTHEMIS, THIN LIZZY, FUN MACHINE, SPEECH DEBELLE, WINTERSLEEP,
MORTON VALENCE, SHORTWAVE FADE, LE RENO AMPS, THE WOO!WORTHS, TEN CITY
NATION, IGGY'S INSURANCE...
ORGAN
295 - GIANT PAW, MI AMI, COMMANDER KEEN, AMANDA PALMER AND THE DANGER
ENSEMBLE, THE NIGHTINGALES, PETER DOHERTY, INTO FLIGHT, FEVER RAY, FRAN
RODGERS, ANDREA JABLONSKI, RABID RABBIT, THE FACELESS, MORIARTY, THE ERUPTORS,
RED SQUARE, THE REVELLIONS, TORTURE KILLER, HEAT FROM A DEADSTAR, SANDSTONE,
THRONE OF KATARSIS, HUMCRUSH, LADYFINGER (NE), GAMAGES MODEL TRAIN CLUB,
SUSUMU YOKOTA, ANEKDOTEN, THE LONG LOST, THE ANDROID ANGEL, LOUNGE FLY,
SIGUR ROS
ORGAN
294 - WE ROCK LIKE GIRLS DON’T, SHIRLEY LEE, THE MILK AND HONEY BAND,
THE ANTIKAROSHI, PHOSPHORESCENT, REVOLTING COCKS, NICKEL EYE, THE LOVED
ONES, THE PROPHECY, WOODPIGEON, SPIDER AND THE FLIES, SONIC YOUTH, EMMY
THE GREAT, ZZZ, DAVID GIBB, THREATMANTICS, LUCY DAY, DESTINATION: OBLIVION,
DEEP PURPLE....
ORGAN
293 - oh hit the link, go see what we had last week, I'm too fried
now, need sunlight and no more computer screens....
ORGAN
292 - BISHOP ALLEN, BLANKPAGES, THE COAST, DAVID BERMAN, SILVER JEWS,
DOWNDIME, EYELASH, FIRST AID KIT, GAIL OLDING, GUAPO, HARPOON, HAWKLORDS,
IMAGINATION SCHOOL, JENIFEREVER, JOHN MARTYN, JOHN SQUIRE, LAMB OF GOD,
MICHAEL J SHEEHY, ONE TRUE DOG, POINT JUNCTURE WA, SCRAP CLUB, SERGEANT
BUZFUZ, WELFARE MOTHERS...
ORGAN
291 - LARS HORNTVETH, WINTERSLEEP, ANARCHISTWOOD, VAKA, THE BUMBLEBEES,
WET PAINT, SAM KILLS TWO, GRAVANZIA, STUART TURNER, MAEVEN, WHOLE SCHEBANG,
PAUL GOODWIN, THE RAIN EMPEROR, LIME HEADED DOG, SERGEANT BUZZFUZ, OUTRAZE,
REMEDY, FLUTATIOUS, BLATZ, FILTH...
ORGAN
290 - ENABLERS, IMAGINATION SCHOOL, BLOOD MOON, ANIMAL COLLECTIVE,
HYATARI, SILENTIUM, AWESOME WELLS, HOLMES, THE WHORE MOANS, GATHIENS, DIPLO,
SEANCE, FIGHT LIKE APES, THEO, FRANKLIN, SHIRLEY LEE, KIJU, CRYOGENICA,
CASTALIA, THE HARD LUCK SAINTS, DOMINIQUE LEONE, EYEHATEGOD, I AM JOY,
BERNADETTE LOUISE & NATALIE SWAIN, SONIC YOUTH, TO ARMS ETC.
ORGAN
289 - WOMEN, MAEGASHIRA, DANKO JONES, JACK SHIRT, FEN, LOW BUDGET ORCHESTRA,
MEN OF UNITUS, GRAHAM REYNOLDS AND THE GOLDEN ARM TRIO, OH ATOMS, DENNIS
HOPPER CHOPPERS, THE WOE BETIDES, DEVOTCHKA, THE SOCIAL, AWESOME WELLS,
LITHURGY, SUNDAY SCHOOL, RON ASHETON, JAGJAGUWAR....
ORGAN
288 - FIGHT LIKE APES, ANATHALLO, SHRAG, THE THREE AGES OF ELVIS, ORPHANS,
CUDDLY SHARKS, MOLLOY, IRON FIRE, RED EYED LEGENDS, THE HIGH WIRE, SHOCK
ELEVATOR FAMILY, LADYDOLL, IVAN CAMPO, VESSELS, COLT, THE NERVES...
ORGAN
287 - THE JELAS, ZACH HILL, THE PRESENT, TRENCHER, EVERYTHING EVERYTHING,
FIGHT LIKE APES, THE PRODIFY, INDYMEDIA, RED PAINTED RED, THIS IS YOUR
CAPTAIN SPEAKING, HOWL GRIFF, WHITE SHOES BLACK HEART, LOST ROBOTS, COCONUT,
GRAVE DIGGER, PERFECT AS CATS: A TRIBUTE TO THE CURE, THE RETAIL SECTORS,
THE CAPITOL YEARS, LITTLE WOMEN, ...AND YOU WILL KNOW US BY THE TRAIL OF
DEAD, THE MAXIMUM DANGER PROJECT, MISS COSMOS, FIRESUITE, FAIRYTALE, THE
YALLA YALLAS, SLARAFFENKLANG, LIARS...
ORGAN
286 - HUNTSVILLE, SOUTH CENTRAL, THE THING, ROSE KEMP, HANDS ON HEADS,
PLUG, SPECIALISATION IS FOR INSECTS, BEFORE THE DAWN, ELECTRIC MUD GENERATOR,
THE TRUTH ABOUT FRANK, CHARLIE BARNES, THE PINE HILL HAINTS, SONIC RONDEZVOUS
BAND, AGATHOCLES, THE TROUBADORS, THE WICKED SOUNDTRACK by AL JOURGENSEN,
WEDNESDAY 13, LOSS LEADER, CARRY ON LOVIN’, A VERY CHERRY CHRISTMAS VOL
4, RALFE BAND, RAW POO, SILVERY, LOS, KONG, THE FM FLASH, SEELAND,
I AM IMMUNE, BROKEN ARM, MORIARTY, DUMB INSTRUMENT, LOUIS BARABBAS AND
THE BLACK VELVET BAND, BLACK CHANNELS, ANTHEMS, SPOOKBOY, LONG HAT PINS,
LOS CONIOS, BOY OUTSIDE, LOCI, THE DO OR DIES, The FRESHWHIP art collective,
that 696 form and more...
ORGAN
285 - GALLON DRUNK, SONVAR, MATT ELLIOTT, PSYCHIC TV, SUSPYRE, PAPIER
TIGRE, RUDE MECHANICALS THE CURSORS, more on AMANDA PALMER'S beautiful
belly, THURSTON MOORE's new cassette only fetish flavoured release... oh
lots of stuff, DAMON & NAOMI, THE ERGS, ANARCHISTWOOD, ABE VIGODA and
more, go read and see...
ORGAN
284 - Do we need to go type out a list? Just go have a look...
ORGAN
283 - THE WELCOME WAGON, TIM AND SAM'S TIM AND SAM BAND WITH TIM AND
SAM, JARMEAN? NASHVILLE PUSSY, RUBELLA BALLET, VOLCANO!, THE LAKE SITUATION,
SUBHUMANS, GLOBO, KAYO DOT, I LIKE TRAINS, PREGO, THE VERVE, THE PAINS
OF BEING PURE AT HEART, CRISIS NEVER ENDS, SIX FEET UNDER, USELESS ID,
BITCHES SIN, SLICK'S KITCHEN, JE SUIS ANIMAL, SEVERAL UNION, GUILLOTINE,
DEAD OR AMERICAN, THE JOHN HENRYS, BURNING PILOT and more...
ORGAN
282 - Oh loads of stuff, go see....
ORGAN
281 - F**KED UP, ROLO TOMASSI, MoHa!, SEMAPHORE, THE MINIONS, CHICKENHAWK
TROST, MAGNOLIA, LEFT TO VANISH, FREDRICK STANLEY STAR, HEADLESS HEROES,
TORTUGA, THE BOAT PEOPLE, BARR, SAMMY HAGAR, BORN FROM, ROB HIMSELF, THE
DeRELLAS, THE RACE, CONOR OBERST, DEPARTMENT S, MARILLION, 11:59, GHOSTFIRE,
HANDMADE & BOUND...
ORGAN
280 - AIDS WOLF, THE PROCESS, RIOTGOD, SLITVEIN, TO THE BONES, LOYAL
TROOPER, ALISON O’DONNELL, THREATMANTICS, DARK CAPTAIN LIGHT CAPTAIN, EARTHLESS,
CROWPATH, THE COMPUTERS, MIA VIGAR, BRIMSTONE HOWL, SATYRICON, THE ESTRANGED,
MERCURY REV, AS EDEN BURNS, SUPERSUCKERS, CARNAL DECAY, PSAPP, DANKO JONES,
JOHNNY COLA & THE A-GRADES, UNFOLD PRESENTS: TRU THOUGHTS HIP HOP,
KUNG FU SUPER SOUNDS, MADE IN MEXICO, KOSMISCHE, DESERT MUSIC SCHOOL BENEFIT....
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